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    1. Skönlitteratur
    2. Poesi

    In June the Labyrinth

    AvCynthia Hogue

    Häftad, Engelska, 2017

    Del i serien Red Hen Press

    180 kr

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    Fler format och utgåvor

    E-bok

    102 kr

    Beskrivning

    In her stunning ninth collection of poetry, In June the Labyrinth, Cynthia Hogue tells a deeply personal lyric of love andloss through a mythic story. This book-length serial poem follows Elle, a dying woman, as she travels a trans-historical, trans-geographical terrain on a quest to investigate the labyrinth not only as myth and symbol, but something akin to the “labyrinth of the broken heart.” At the heart of Elle’s individual story is the earnest female pilgrim’s journey, full of disappointment but also hard-won wisdom and courage—inspired by Hogue’s own composited experience with loss, in particular the death of her mother. Rooted in the idea of the labyrinth as a symbol for life, as in the great Gothic cathedrals of Europe that Hogue would visit the summer of her mother’s death, these poems above all distill, fracture, recompose, and tell only partially—literally in parts but also in loving detail—the story of a life.

    Produktinformation

    • Utgivningsdatum:2017-06-01
    • Mått:152 x 228 x 5 mm
    • Vikt:91 g
    • Format:Häftad
    • Språk:Engelska
    • Serie:Red Hen Press
    • Antal sidor:76
    • Förlag:Red Hen Press
    • ISBN:9781597090377

    Utforska kategorier

    • Poesi inom Skönlitteratur

    Mer om författaren

    Cynthia Hogue has published thirteen books, including eight collections of poetry, most recently Revenance, listed as one of the 2014 “Standout” books by the Academy of American Poets. In June the Labyrinth (Red Hen Press, 2017) is her ninth poetry collection. With Sylvain Gallais, Hogue co-translated Fortino Sámano (The overflowing of the poem), from the French of poet Virginie Lalucq and philosopher Jean-Luc Nancy (Omnidawn 2012), which won the Harold Morton Landon Translation Award from the Academy of American Poets in 2013. Among Hogue’s other honors are an NEA Fellowship in poetry, the H.D. Fellowship at the Beinecke Library at Yale University, a MacDowell Colony residency, and the Witter Bynner Translation Fellowship at the Santa Fe Art Institute. Hogue served as the Distinguished Visiting Writer at Cornell University in the Spring of 2014. She was a 2015 NEA Fellow in Translation, and holds the Maxine and Jonathan Marshall Chair in Modern and Contemporary Poetry at Arizona State University. She lives in Phoenix.

    Recensioner i media

    “What is happening when a book following (in every sense) a mother’s death takes the form of a postmodernist stream of consciousness, giving full weight to space and silence, to the roots and routes of language, and to the predicament of the body? The poet’s mind, as it were, breaking and entering? Today I could say I read In June the Labyrinth, or I could say I let the poem carry me downstream. The ghost of Shelley waved from the bank of the river. The world was being shattered but I was safe, thanks to Cynthia Hogue’s well-made craft, in which I rode.” —Alicia Ostriker, author of The Book of Seventy, winner of the Jewish National Book Award“Hogue has a knack for intensity. And she ingeniously describes natural processes in apt human terms—for instance, “the concentration it takes / for water to become / ice.”. . . Hogue’s particular wit and intensity relay not merely the appearance of art, but the experience of it, ‘its complication of what is.’” —Craig Morgan Teicher, New York Times Sunday Book Review“Reading Cynthia Hogue’s gorgeous new book is a little like being in a labyrinth: you know where you’re going, but the turns keep surprising you and taking you places you didn’t expect. This wonderful long poem—unbroken, again like a labyrinth—is heartbreaking, but the aesthetic richness and emotional depth make it a great gift.” —Martha Collins, author of One: An American Scrapbook and Blue Front"Cynthia Hogue’s In June the Labyrinth is a stunning and unforgettable book. It is a letting in of grief rather than a letting go. Hogue’s poems demonstrate how one does not recover but rather uncovers and discovers truths about the other’s being in relation to oneself. Ultimately, these truths come to rest in language itself, in the poem embodied as a form of conscious companion."—Heather Thomas, The Florida ReviewReading for The Arkansas InternationalReading for POG Arts TusconReading for Verse-Virtual JournalGuest editor for The Academy of American Poets

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