Keith Flynn(www.keithflynn.net) is the award-winning author of seven books, most recently Colony Collapse Disorder (Wings Press, 2013) and a collection of essays entitled The Rhythm Method, Razzmatazz and Memory: How To Make Your Poetry Swing (Writer’s Digest Books, 2007). From 1984–1999, he was the lyricist and lead singer for the nationally acclaimed rock band The Crystal Zoo, which produced three albums: Swimming Through Lake Eerie (1992), Pouch (1996), and the spoken-word and music compilation Nervous Splendor (2003). He is currently touring with a supporting combo, The Holy Men, whose album, LIVE at Diana Wortham Theatre, was released in 2011. He is the Executive Director and producer of the TV show “LIVE at White Rock Hall” and of Animal Sounds Productions, both of which create collaborations between writers and musicians in video and audio formats. His award-winning poetry and essays have appeared in many journals and anthologies around the world, including The American Literary Review, The Colorado Review, Poetry Wales, Five Points, Poetry East, The Southern Poetry Anthology, The Poetics of American Song Lyrics, Writer’s Chronicle, The Cimarron Review, Rattle, Shenandoah, Word and Witness: 100 Years of NC Poetry, Crazyhorse, and many others. He has been awarded the Sandburg Prize for poetry, a 2013 NC Literary Fellowship, the ASCAP Emerging Songwriter Prize, the Paumanok Poetry Award, and was twice named the Gilbert-Chappell Distinguished Poet for NC. Flynn is founder and managing editor of The Asheville Poetry Review, which began publishing in 1994.

"For some time, we’ve been waiting for a poet to appear who could adequately confront the vast and deliriously complex matter of the USA—its people, its art, its material and popular culture, its misdeeds and its election mistakes. Also, one who could respond to the artistic legacy of Europe. Keith Flynn is that poet. His range is wider than any poet’s I’m aware of, a range matched by his varied diction and his fluent mastery of syntax. The apparent ease he brings to this thorny project is one of the work’s most impressive aspects. I urge readers to greet this book with the praise it deserves." —Alfred Corn, author of Unions"Keith Flynn is a brilliant, bodacious poet at the top of his sonic, linguistic game in this new volume of poetry, The Skin of Meaning, with poems that dance off the page in arpeggios of flight, gripping the reader’s imagination and taking American poetry in a new, exhilarating direction." —Quincy Troupe, author of the recent books, Ghost Voices, Seduction and the memoir, Miles and Me"This collection has the breadth of vision and associative leaps across history, art, politics, and music that one has come to expect from Flynn. What I grew to appreciate most about it, though, was the profound level of engagement these poems demanded and consistently rewarded." —David E. Poston, reviewer at Pedestal Magazine"One of Flynn's virtues is the fact that he's intellectually omnivorous, and this collection reflects the variety of his interests." —North Carolina Literary Review"This collection constantly challenges our assumptions about the world we think we see and is teeming with evidence of another invisible world bristling like an underground river beneath our feet." —Hub City Writers Project"I opened Keith Flynn’s The Skin of Meaning at random and read “The Justice System,” a surrealist poem that spun my head around so much, I immediately put the book down until I could carve out enough time to give the entire collection the focus it deserves. Keith is a master craftsman. The Skin of Meaning is a master work." —Lee Stockdale