Sarah Leggott is professor of Spanish in the School of Languages and Cultures at Victoria University of Wellington, New Zealand.

Leggott opens with a chapter titled 'Narrating the Legacy of War and Dictatorship in Contemporary Spain,' and goes on to examine five novels (in five chapters), each by a Spanish woman writer, each published between between 1999 and 2007, each reflecting a recent wave of interest on the Spanish Civil War and its aftermath. She finds a clear causative relationship with recent political trends in Spanish society, although the novels do not fall into a type of 'social realism' per se but answer to a deeply felt need to explore the past and reevaluate received sociopolitical interpretations. Leggott focuses on how narratives reveal the impact of the war and its aftermath on women and families, and on the main action developed by characters who try to remember and understand their present traumas. The characters' perspective remains that of the losers, who were either born in exile or learned to live under an oppressive situation. The concern shown with the mother's role adds interest to these works. One of Leggott's aims is to demonstrate how fiction can illuminate the consequences of a past that still is not well understood. Extensive information on the authors is provided, as is plenty of detail on plot and historical context. Summing Up: Recommended. Upper-division undergraduates and above.

• IntroductionChapter One:Narrating the Legacy of War and Dictatorship in Contemporary Spain: Gender, Trauma, and the Historical Memory DebatesChapter Two: Dulce Chacón (1954–2003)Constructing a Gendered Postmemory: Repression, Resistance, and Transgenerational Transmission in La voz dormida (2002)Chapter Three: Rosa Regàs (1933–)Expiating the Sins of the Mother: Childhood Memories of Retribution and Loss in Luna lunera (1999)Chapter Four: Josefina Aldecoa (1926–2011)Challenging Cultural Taboos of Age and Gender: The Voice of the Elderly Mother and Returned Exile in La fuerza del destino (1997)Chapter Five: Carme Riera (1948–)Reconstructing the Maternal Story: The Quest for Historical “Truth” and Self-Understanding in La mitad del alma (2005)Chapter Six: Almudena Grandes (1960–)Inscribing the Transgenerational Legacy of Exile: A Son’s Inherited Guilt and a Granddaughter’s Quest for Reparation in El corazón helado (2007)ConclusionBibliography