Ilan Stavans is the publisher of Restless Books and the Lewis-Sebring Professor of Humanities and Latin American and Latino Culture at Amherst College. His books include On Borrowed Words, Spanglish, Dictionary Days, The Disappearance, and A Critic’s Journey. He has edited The Norton Anthology of Latino Literature, the three-volume set Isaac Bashevis Singer: Collected Stories, and The Poetry of Pablo Neruda, among dozens of other volumes. He is the recipient of numerous awards and honors, including a Guggenheim Fellowship, Chile’s Presidential Medal, the International Latino Book Award, and the Jewish Book Award. Stavans’s work, translated into twenty languages, has been adapted to the stage and screen. A cofounder of the Great Books Summer Program at Amherst, Stanford, Chicago, Oxford, and Dublin, he is the host of the NPR podcast “In Contrast.”Cuauhtémoc Wetzka is an illustrator originally from Zongolica, recognized for his work that gives voice to childhood, the indigenous community and the richness of native languages. He has illustrated story books, posters, illustrations and cartoons for brands including Google, Apple, Cirque du Soleil's One Drop Foundation, and various publishers. His work has been exhibited in Argentina, Colombia, Guatemala, Spain, France, Estonia, Slovakia, Poland, Taiwan, Canada, Turkey and the United States.

"Stavans enters into the unknown and incredible set of visionary and historical pillars held up by Nezahualcóyotl, the first poet-prince of Mesoamerica. Although cast as 'Lamentations,' here we read the extracts of deep research and 'total' transmission of Neza’s poetry, rule and depth of thought, knowledge and vision. Stavans makes sure we take note of Nezahualcóyotl's hidden multidimensional senses, 'I perceive what is secret,' Neza writes. He speaks of 'shape-shifting,' the 'Divine Voice,' 'The three souls of the human body,' the substance of 'words' and the 'journey to the Underworld.' This is a treasure of unknown powers, paths of awareness, an elastic universe at our hands, voice and mind — gifted by the first poet of the America’s and the first transmitter of his 'Lamentations.' Here is a notebook of cultural and cosmic lightning. A ground-breaker and sky-shaker." — Juan Felipe Herrera, Poet Laureate of the United States, Emeritus"Ilan Stavans casts a spell in this remarkable retelling of a king’s sorrows. Stripped of all poetic adornments, yet beautifully conveyed, these songs become a moving testimony. Nezahualcóyotl (1402-1472) wants nothing more than a knowledgeable populace, justice and moral civility in a resplendent floral region, a paradise. Yet he harbors revenge against those who killed his father and clashes with rivals in the area called Texcoco, just north of the Aztec capital, Tenochtitlan. A fierce warrior, he assumes his rightful place. He becomes a king, powerful and dressed in colorful robes. Nevertheless, he is like other mortals. He sings, 'I am fallible, I am infinite,' a human contradiction. Here we have geography, cosmology, prophecy, the kingdom of birds and animals, and glimpses of a king filled with doubt. This is Nezahualcóyotl’s lament about the brevity of life. An extraordinary work." — Gary Soto, author of A Fire in My Hands"The poet king of Texcoco has returned! Ilan Stavans journeys to the pre-Hispanic underworld to recover a lost tradition. If Nezahualcóyotl rebelled against the fugacity of life in an epoch defined by war and human sacrifices, Stavans reverses oblivion to articulate a stunning utopian retrospective for our present. The beauty and sharpness of these poems is such that it allows us to feel the obsidian edge of history. A classic of the 15th century reaches us with the divinatory power of dreams." — Juan Villoro, author of Horizontal Vertigo: A City Called Mexico"How startling to read about a world from so long ago only to recognize the one in which we currently live, beleaguered by war and crises of faith, and facing an uncertain future. Nezahualcóyotl's poems, superbly retold by Ilan Stavans, offer us hard-won wisdom and warnings from a civilization on the brink of breaking. But with the dark days, the poet king assures us, come the possibility of clarity, restoration, and even redemption. What a gift to receive these enlightening words during our troubled times!" — Rigoberto González, author of Butterfly Boy: Memories of a Chicano Mariposa"The poems reflect the priorities of a polymath monarch, steeped as they are in cultural history, noble lineages, and battle strategies. Outstanding moments occur when the ruler returns from war to find that his "precious city was a carcass" and emotions boil over . . . Stavans also locates lighthearted humor . . . and readers will note striking parallels to current events, such as natural disasters and civil infighting. Lively illustrations by Cuauhtémoc Wetzka, an indigenous Nahua artist, accompany the poems in this enchanting literary curio." — Booklist

Ilan Stavans is the publisher of Restless Books and the Lewis-Sebring Professor of Humanities and Latin American and Latino Culture at Amherst College. His books include On Borrowed Words, Spanglish, Dictionary Days, The Disappearance, and A Critic’s Journey. He has edited The Norton Anthology of Latino Literature, the three-volume set Isaac Bashevis Singer: Collected Stories, and The Poetry of Pablo Neruda, among dozens of other volumes. He is the recipient of numerous awards and honors, including a Guggenheim Fellowship, Chile’s Presidential Medal, the International Latino Book Award, and the Jewish Book Award. Stavans’s work, translated into twenty languages, has been adapted to the stage and screen. A cofounder of the Great Books Summer Program at Amherst, Stanford, Chicago, Oxford, and Dublin, he is the host of the NPR podcast “In Contrast.”Cuauhtémoc Wetzka is an illustrator originally from Zongolica, recognized for his work that gives voice to childhood, the indigenous community and the richness of native languages. He has illustrated story books, posters, illustrations and cartoons for brands including Google, Apple, Cirque du Soleil's One Drop Foundation, and various publishers. His work has been exhibited in Argentina, Colombia, Guatemala, Spain, France, Estonia, Slovakia, Poland, Taiwan, Canada, Turkey and the United States.

"Stavans enters into the unknown and incredible set of visionary and historical pillars held up by Nezahualcóyotl, the first poet-prince of Mesoamerica. Although cast as 'Lamentations,' here we read the extracts of deep research and 'total' transmission of Neza’s poetry, rule and depth of thought, knowledge and vision. Stavans makes sure we take note of Nezahualcóyotl's hidden multidimensional senses, 'I perceive what is secret,' Neza writes. He speaks of 'shape-shifting,' the 'Divine Voice,' 'The three souls of the human body,' the substance of 'words' and the 'journey to the Underworld.' This is a treasure of unknown powers, paths of awareness, an elastic universe at our hands, voice and mind — gifted by the first poet of the America’s and the first transmitter of his 'Lamentations.' Here is a notebook of cultural and cosmic lightning. A ground-breaker and sky-shaker." — Juan Felipe Herrera, Poet Laureate of the United States, Emeritus"Ilan Stavans casts a spell in this remarkable retelling of a king’s sorrows. Stripped of all poetic adornments, yet beautifully conveyed, these songs become a moving testimony. Nezahualcóyotl (1402-1472) wants nothing more than a knowledgeable populace, justice and moral civility in a resplendent floral region, a paradise. Yet he harbors revenge against those who killed his father and clashes with rivals in the area called Texcoco, just north of the Aztec capital, Tenochtitlan. A fierce warrior, he assumes his rightful place. He becomes a king, powerful and dressed in colorful robes. Nevertheless, he is like other mortals. He sings, 'I am fallible, I am infinite,' a human contradiction. Here we have geography, cosmology, prophecy, the kingdom of birds and animals, and glimpses of a king filled with doubt. This is Nezahualcóyotl’s lament about the brevity of life. An extraordinary work." — Gary Soto, author of A Fire in My Hands"The poet king of Texcoco has returned! Ilan Stavans journeys to the pre-Hispanic underworld to recover a lost tradition. If Nezahualcóyotl rebelled against the fugacity of life in an epoch defined by war and human sacrifices, Stavans reverses oblivion to articulate a stunning utopian retrospective for our present. The beauty and sharpness of these poems is such that it allows us to feel the obsidian edge of history. A classic of the 15th century reaches us with the divinatory power of dreams." — Juan Villoro, author of Horizontal Vertigo: A City Called Mexico"How startling to read about a world from so long ago only to recognize the one in which we currently live, beleaguered by war and crises of faith, and facing an uncertain future. Nezahualcóyotl's poems, superbly retold by Ilan Stavans, offer us hard-won wisdom and warnings from a civilization on the brink of breaking. But with the dark days, the poet king assures us, come the possibility of clarity, restoration, and even redemption. What a gift to receive these enlightening words during our troubled times!" — Rigoberto González, author of Butterfly Boy: Memories of a Chicano Mariposa"The poems reflect the priorities of a polymath monarch, steeped as they are in cultural history, noble lineages, and battle strategies. Outstanding moments occur when the ruler returns from war to find that his "precious city was a carcass" and emotions boil over . . . Stavans also locates lighthearted humor . . . and readers will note striking parallels to current events, such as natural disasters and civil infighting. Lively illustrations by Cuauhtémoc Wetzka, an indigenous Nahua artist, accompany the poems in this enchanting literary curio." — Booklist

Ilan Stavans is the publisher of Restless Books and the Lewis-Sebring Professor of Humanities and Latin American and Latino Culture at Amherst College. His books include On Borrowed Words, Spanglish, Dictionary Days, The Disappearance, and A Critic’s Journey. He has edited The Norton Anthology of Latino Literature, the three-volume set Isaac Bashevis Singer: Collected Stories, and The Poetry of Pablo Neruda, among dozens of other volumes. He is the recipient of numerous awards and honors, including a Guggenheim Fellowship, Chile’s Presidential Medal, the International Latino Book Award, and the Jewish Book Award. Stavans’s work, translated into twenty languages, has been adapted to the stage and screen. A cofounder of the Great Books Summer Program at Amherst, Stanford, Chicago, Oxford, and Dublin, he is the host of the NPR podcast “In Contrast.”Cuauhtémoc Wetzka is an illustrator originally from Zongolica, recognized for his work that gives voice to childhood, the indigenous community and the richness of native languages. He has illustrated story books, posters, illustrations and cartoons for brands including Google, Apple, Cirque du Soleil's One Drop Foundation, and various publishers. His work has been exhibited in Argentina, Colombia, Guatemala, Spain, France, Estonia, Slovakia, Poland, Taiwan, Canada, Turkey and the United States.

"Stavans enters into the unknown and incredible set of visionary and historical pillars held up by Nezahualcóyotl, the first poet-prince of Mesoamerica. Although cast as 'Lamentations,' here we read the extracts of deep research and 'total' transmission of Neza’s poetry, rule and depth of thought, knowledge and vision. Stavans makes sure we take note of Nezahualcóyotl's hidden multidimensional senses, 'I perceive what is secret,' Neza writes. He speaks of 'shape-shifting,' the 'Divine Voice,' 'The three souls of the human body,' the substance of 'words' and the 'journey to the Underworld.' This is a treasure of unknown powers, paths of awareness, an elastic universe at our hands, voice and mind — gifted by the first poet of the America’s and the first transmitter of his 'Lamentations.' Here is a notebook of cultural and cosmic lightning. A ground-breaker and sky-shaker." — Juan Felipe Herrera, Poet Laureate of the United States, Emeritus"Ilan Stavans casts a spell in this remarkable retelling of a king’s sorrows. Stripped of all poetic adornments, yet beautifully conveyed, these songs become a moving testimony. Nezahualcóyotl (1402-1472) wants nothing more than a knowledgeable populace, justice and moral civility in a resplendent floral region, a paradise. Yet he harbors revenge against those who killed his father and clashes with rivals in the area called Texcoco, just north of the Aztec capital, Tenochtitlan. A fierce warrior, he assumes his rightful place. He becomes a king, powerful and dressed in colorful robes. Nevertheless, he is like other mortals. He sings, 'I am fallible, I am infinite,' a human contradiction. Here we have geography, cosmology, prophecy, the kingdom of birds and animals, and glimpses of a king filled with doubt. This is Nezahualcóyotl’s lament about the brevity of life. An extraordinary work." — Gary Soto, author of A Fire in My Hands"The poet king of Texcoco has returned! Ilan Stavans journeys to the pre-Hispanic underworld to recover a lost tradition. If Nezahualcóyotl rebelled against the fugacity of life in an epoch defined by war and human sacrifices, Stavans reverses oblivion to articulate a stunning utopian retrospective for our present. The beauty and sharpness of these poems is such that it allows us to feel the obsidian edge of history. A classic of the 15th century reaches us with the divinatory power of dreams." — Juan Villoro, author of Horizontal Vertigo: A City Called Mexico"How startling to read about a world from so long ago only to recognize the one in which we currently live, beleaguered by war and crises of faith, and facing an uncertain future. Nezahualcóyotl's poems, superbly retold by Ilan Stavans, offer us hard-won wisdom and warnings from a civilization on the brink of breaking. But with the dark days, the poet king assures us, come the possibility of clarity, restoration, and even redemption. What a gift to receive these enlightening words during our troubled times!" — Rigoberto González, author of Butterfly Boy: Memories of a Chicano Mariposa"The poems reflect the priorities of a polymath monarch, steeped as they are in cultural history, noble lineages, and battle strategies. Outstanding moments occur when the ruler returns from war to find that his "precious city was a carcass" and emotions boil over . . . Stavans also locates lighthearted humor . . . and readers will note striking parallels to current events, such as natural disasters and civil infighting. Lively illustrations by Cuauhtémoc Wetzka, an indigenous Nahua artist, accompany the poems in this enchanting literary curio." — Booklist