Blue Flax & Yellow Mustard Flower

Alison Hawthorne Deming is the author of six books of poetry and five books of nonfiction, editor of the anthology The Gift of Animals: Poems in Celebration of Animals & The People Who Love Them. Among her awards are a Guggenheim Fellowship, NEA Fellowships, Stanford’s Stegner Fellowship and the Walt Whitman Award from the Academy of American Poets. Her writing has been widely published, including in the Norton Book of Nature Writing and Best American Science and Nature Writing. She is Regents Professor Emerita at the University of Arizona. She lives in Tucson, Arizona and Grand Manan, NB, Canada.

“Alison Hawthorne Deming’s new collection, Blue Flax & Yellow Mustard Flower, is a rich catalog of the Anthropocene, including history, research, and initiative. In the tradition of Rachel Carson, Annie Dillard, and Pattiann Rogers––Deming pays extraordinary attention to the natural world. With skillful use of scientific detail, music, place, and the power of naming things, she sounds an alarm and a call to action. Moving deftly from the short lyric to the long narrative to prose: ‘each word an act / of defiance against the unspeakable.’ Poem after poem reads like a ‘little locus of beauty to counter the decay.’ This collection is an homage to naturalists and explorers, to environmental consciousness, to curiosity and to service––it is a lyric acknowledgment of the delicate balance of life.”—Ellen Bass, author of In Indigo“Alison Hawthorne Deming is not a poet for whom environmental writing is merely a subject or an aspect of her brand. For this true poet, nature is nothing less than a beyond-one’s-own-life existential presence. As with Merwin, Snyder, and Hillman, I read Deming’s complex work both for its powerful engagements with nature and the vivifying inventions of its music. Blue Flax & Yellow Mustard Flower provides us such abundance: vigilance but also awe, documentation alongside discovery, and formal designs that range from quantitative syllabics to the open fields of free verse and prose poetry. In the end Deming’s artful strategies are—as in areas as diverse as physics, sociobiology, and grammar—deeply relational. Each ‘chatter, dirge, thesis, and psalm’ is what it is in vital symbiosis with the rest.”—David Baker, author of Whale Fall