Koren Shadmi is an award-winning illustrator and cartoonist. He studied illustration at The School of Visual Arts in New York where he now teaches. Koren’s graphic novels have been published in the US, France, Italy, Spain, Germany, Poland, Korea and Israel. His latest book, Rise of The Dungeon Master: Gary Gygax and The Creation of D&D (Nation Books), is a collaboration with esteemed tech writer David Kushner. Koren has contributed illustrations and comics to: The New York Times, The New Yorker, The Wall Street Journal, Newsweek, BusinessWeek, Playboy, Mother Jones, The Washington Post, The Boston Globe, Wired and others.

“Lugosi is nothing short of a masterpiece. With riveting style and a storyline that drives full-tilt from the opening panels, Shadmi tells the tale of the man behind Dracula—his immigrant struggles, his wild love life, his dope fiend torments, his heinous treatment at the hands of studio moguls—with such vision and heart, you find yourself rooting for the monster from beginning to end. It is Shadmi’s special genius to render his subject an Everyman, so that his story is the story of every artist trying to live off their art only to be ground to pulp by the real bloodsuckers, the Hollywood execs who feast on talent, who bleed genius until there’s nothing left but memories and pain.”

Koren Shadmi is an award-winning illustrator and cartoonist. He studied illustration at The School of Visual Arts in New York where he now teaches. Koren’s graphic novels have been published in the US, France, Italy, Spain, Germany, Poland, Korea and Israel. His latest book, Rise of The Dungeon Master: Gary Gygax and The Creation of D&D (Nation Books), is a collaboration with esteemed tech writer David Kushner. Koren has contributed illustrations and comics to: The New York Times, The New Yorker, The Wall Street Journal, Newsweek, BusinessWeek, Playboy, Mother Jones, The Washington Post, The Boston Globe, Wired and others.

“Lugosi is nothing short of a masterpiece. With riveting style and a storyline that drives full-tilt from the opening panels, Shadmi tells the tale of the man behind Dracula—his immigrant struggles, his wild love life, his dope fiend torments, his heinous treatment at the hands of studio moguls—with such vision and heart, you find yourself rooting for the monster from beginning to end. It is Shadmi’s special genius to render his subject an Everyman, so that his story is the story of every artist trying to live off their art only to be ground to pulp by the real bloodsuckers, the Hollywood execs who feast on talent, who bleed genius until there’s nothing left but memories and pain.”