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Mark Lipovetsky - Postmodern Crises, Häftad

Häftad, Engelska, 2021

Postmodern Crises

From Lolita to Pussy Riot

Av Mark Lipovetsky

Del i serien Ars Rossica

389 kr

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Beskrivning
Postmodern Crises collects previously published and yet unpublished Mark Lipovetsky’s articles on Russian literature and film. Written in different years, they focus on cultural and aesthetic crises that, taken together, constitute the postmodern condition of Russian culture. The reader will find here articles about classic subversive texts (such as Nabokov’s Lolita), performances (Pussy Riot), and recent, but also subversive, films. Other articles discuss such authors as Vladimir Sorokin, such sociocultural discourses as the discourse of scientific intelligentsia; post-Soviet adaptations of Socialist Realism, and contemporary trends of “complex” literature, as well as literary characters turned into cultural tropes (the Strugatsky’s progressors). The book will be interesting for teachers and scholars of contemporary Russian literature and culture; it can be used both in undergraduate and graduate courses.
Produktinformation
  • Utgivningsdatum: 2021-06-03
  • Mått: 155 x 234 x 20 mm
  • Vikt: 391 g
  • Format: Häftad
  • Språk: Engelska
  • Serie: Ars Rossica
  • Antal sidor: 276
  • Förlag: Academic Studies Press
  • ISBN: 9781644696651
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Mer om författaren

Mark Lipovetsky is professor and chair of the Department of Germanic and Slavic Languages and Literatures, University of Colorado-Boulder. He is the author of more than a hundred articles and eight books, as well as co-editor of fifteen volumes on Russian literature and culture. Currently, Lipovetsky is working on a critical biography of Dmitry Prigov and serves as the editor of the poet's collected works. In 2014, Lipovetsky received an award of the American Association of Teachers of Slavic and East European Languages for the outstanding contribution to scholarship.

Recensioner i media

“As the leading scholar on Russian postmodernism, Lipovetsky has gathered in this volume a range of texts written over the last 20 years that address critical moments in Soviet and Russian cultural history. Whether writing on the prose of Nabokov and Sorokin, on Pussy Riot, or on the films of Loznitsa and Todorovsky, Lipovetsky offers tantalizing readings through a lens that reveals the texts’ potential for fragmentation and destabilization. Lipovetsky’s analysis is always profound, but this volume shows the breadth of his vision, both in the range of genres and the timescale covered.”

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