Longlisted for the NBCC Award for Autobiography

A deeply reflective memoir weaving together the personal story of Hester Kaplan’s acclaimed biographer father and his fraught effect on her artistic development with a rich portrait of twentieth century intellectual life and a meditation on family intimacy, identity, and the art of writing

Twice Born opens with the death of Hester’s father, Justin Kaplan, known for his award-winning biographies of Mark Twain and Walt Whitman. Despite his relatively prolific output, Justin rarely wrote, or said, much about himself—even to his daughter. Standing at his open casket, Hester has the realization that while alive, her father never looked her in the eyes. 

Hester takes on the challenge of piecing together as intimate a biography of her own father as possible, comparing his story to the lives of his biographical subjects and dissecting the various personas he presents to the world—from which the name “dad,” “daddy,” or even “father” is conspicuously and painfully absent. Parallel to Justin’s story runs Hester’s own journey of development as a writer and a thinker, which begins in the shadow of not only her talented father, but also her novelist mother, and the fiercely protective union the two of them had built, often to the exclusion of their own children. 

In sensitive, intimate writing, Kaplan paints a rich picture of the twentieth century literary world that she grew up in, all while reflecting on the deceptive nature of memory, the loneliness of creative pursuits, and the dovetailing paradoxes of biographical and autobiographical writing.

Longlisted for the NBCC Award for Autobiography

A deeply reflective memoir weaving together the personal story of Hester Kaplan’s acclaimed biographer father and his fraught effect on her artistic development with a rich portrait of twentieth century intellectual life and a meditation on family intimacy, identity, and the art of writing

Twice Born opens with the death of Hester’s father, Justin Kaplan, known for his award-winning biographies of Mark Twain and Walt Whitman. Despite his relatively prolific output, Justin rarely wrote, or said, much about himself—even to his daughter. Standing at his open casket, Hester has the realization that while alive, her father never looked her in the eyes. 

Hester takes on the challenge of piecing together as intimate a biography of her own father as possible, comparing his story to the lives of his biographical subjects and dissecting the various personas he presents to the world—from which the name “dad,” “daddy,” or even “father” is conspicuously and painfully absent. Parallel to Justin’s story runs Hester’s own journey of development as a writer and a thinker, which begins in the shadow of not only her talented father, but also her novelist mother, and the fiercely protective union the two of them had built, often to the exclusion of their own children. 

In sensitive, intimate writing, Kaplan paints a rich picture of the twentieth century literary world that she grew up in, all while reflecting on the deceptive nature of memory, the loneliness of creative pursuits, and the dovetailing paradoxes of biographical and autobiographical writing.

Longlisted for the NBCC Award for Autobiography

A deeply reflective memoir weaving together the personal story of Hester Kaplan’s acclaimed biographer father and his fraught effect on her artistic development with a rich portrait of twentieth century intellectual life and a meditation on family intimacy, identity, and the art of writing

Twice Born opens with the death of Hester’s father, Justin Kaplan, known for his award-winning biographies of Mark Twain and Walt Whitman. Despite his relatively prolific output, Justin rarely wrote, or said, much about himself—even to his daughter. Standing at his open casket, Hester has the realization that while alive, her father never looked her in the eyes. 

Hester takes on the challenge of piecing together as intimate a biography of her own father as possible, comparing his story to the lives of his biographical subjects and dissecting the various personas he presents to the world—from which the name “dad,” “daddy,” or even “father” is conspicuously and painfully absent. Parallel to Justin’s story runs Hester’s own journey of development as a writer and a thinker, which begins in the shadow of not only her talented father, but also her novelist mother, and the fiercely protective union the two of them had built, often to the exclusion of their own children. 

In sensitive, intimate writing, Kaplan paints a rich picture of the twentieth century literary world that she grew up in, all while reflecting on the deceptive nature of memory, the loneliness of creative pursuits, and the dovetailing paradoxes of biographical and autobiographical writing.