A Best Book of 2025 from The Washington Post, The New York Times, NPR, Town & Country, LitHub, Debutiful, Texas Monthly, and CrimeReads "Schaefer’s narration is wildly, transgressively hilarious, reminiscent of Philip Roth’s early novels...This is a high-wire act, but the breadth of Schaefer’s affection feels as wide as the depth of his comedy."—The Washington Post's 10 Best Books of 2025 "Wildly ambitious and immensely rewarding...Schaefer grants depths of vulnerability to even the novel’s least sympathetic characters...Suffice it to say, you’re unlikely to read a more impressive first novel this year."—The New York Times "This is a character-based pop novel done right: accessible, unpretentious, hard-hitting...A tremendously strong novel."—The Village Voice "A sweaty masterpiece...honestly, I haven’t felt quite like this about a book since I was dazzled by Jonathan Franzen’s The Corrections almost 25 years ago. But despite his equally capacious reach, Schaefer is no Franzen wannabe. If anything, he’s looser, confident enough to be sweet, and despite his richly comic voice, this satiric tongue never develops fangs."—Ron Charles, The Washington Post "The book tackles themes of sex and identity beautifully, and Schaefer writes with a self-assurance that’s stylish but not showy. Fans of authors like John Irving, Paul Murray and Nathan Hill will find a whole lot to love in this knockout of a novel."—Michael Schaub, NPR “It seems only fitting—in a time of political corner-taking and weaponised identity—that the American boxing novel is back...The victories are pyrrhic, the trophies are plastic, and the gym is full of top-shelf weirdos…Norman Mailer would be livid. It’s wonderful…That’s the heretical brilliance of The Slip: it’s not about heroic power, but communal power, a rare space where it’s possible to fight for something real.”—The Monthly "This one-of-a-kind tale delights."—Publishers Weekly "Schaefer builds us a big, bold, brave, brilliant, beast of a novel. Uproarious and tender, epic in scope and intimate in portraiture, crammed with so many outlandish incidents and exquisitely rendered characters you'll wonder how one novel can possibly contain them all, but Schaefer pulls it off with aplomb. As fearless and enjoyable a debut as you're likely to read this year."—Lit Hub "Themes of race, class, and identity are portrayed with complex yet nuanced sensitivity. Schaefer brilliantly captures the tumultuous emotional terrain each character must traverse to find themselves. The lyrical prose moves fluidly, like the smoothest heavyweight champion, shimmering, then delivering a knockout punch. Various plot elements nicely serve the deeper themes of fate, found family, preconceived limitations, weighty expectations, and following one’s dreams, all in a rapturous barrage of snappy dialogue, witty rejoinders, and profound observations that make for a wicked combination and a winning bildungsroman."—Booklist (starred review) "Perhaps not since Nathan Hill’s The Nix (2016) have we seen a debut as hugely ambitious as this one, pulling out all the stops to tell a unique version of the American story. . . Swings for the fences, makes it at least to third. Franzen/Roth/Irving comparisons earned and deserved."—Kirkus (starred review) "With The Slip, Lucas Schaefer swings big and his aim is true...a damn fine book."—The Fight City “A fascinating novel full of so much life. Lucas Schaefer takes a lapidary eye to these characters and Austin, holding them up to the light and tracing stories only he could tell. I can’t think of another writer like this except maybe Márquez, though I think The Slip is bawdier than his work—and thus, a novel he might have loved.”—Alexander Chee, bestselling author of The Queen of the Night “Quite simply, The Slip is everything an epic novel should be, everything you want an epic novel to be: symphonic, expansive, irresistibly engrossing, utterly unpredictable. It is immense in ambition, bursting with language, dauntless in scope and imagination; an ode to the infinite crossroads of life that lead each soul to its present moment. That this is a debut staggers me.”—Téa Obreht, New York Times bestselling author of The Tiger’s Wife "How can a book be uproarious and thought provoking, devil-may-care and philosophical, as full of life in all its ugliness and beauty and strangeness as Lucas Schaefer’s The Slip? Complicated and comic, this is a novel about what it means to long to be otherwise, with a mystery at its heart, as well as love and ruthlessness and the kind of crazy imagination missing lately from American fiction. You may not be ready for it, but this is a book which will grab you by the lapels, the throat, the heart, the hand: everywhere."—Elizabeth McCracken, bestselling author of The Hero of This Book “With The Slip, Austin, TX finally gets the incisive, warmhearted, epic treatment it deserves. Lucas Schaefer is a master of social detail."—Karan Mahajan, author of National Book Award finalist The Association of Small Bombs "Lucas Schaefer's debut, The Slip, is a crime novel in the same way it's a boxing novel, a coming-of-age novel, a black comedy, a Greek tragedy, a full-on, Texas-sized haymaker that swings for the tallest American fences and still knocks the ball out of the park. I'm mixing metaphors now, but that's what reading The Slip does to you; it removes all boundaries."—Eli Cranor, Edgar Award-winning author of Broiler “At once raunchy and tender, dipping into deep pools of hilarity and humanity, Schaefer’s debut is certain to kindle long overdue conversations about race, privilege and what ‘us’ means and should mean in America. This novel bursts with fully-fleshed characters, each a knockout, who will stay with you long after the last, fiery page.”—Parini Shroff, nationally bestselling author of The Bandit Queens "Epic in scope and yet so intimate in detail, The Slip is outrageous, tender, and supremely fun to read. Lucas Schaefer’s characters are lost in a funhouse of mirrors, each experiencing a transformation from who we thought they were, each worthy of our love."—Oscar Cásares, author of Where We Come From
