Freak Lip, Volume 5

• Utgivningsdatum: 2026-09-29
• Mått: 152 x 216 x 11 mm
• Vikt: 204 g
• Format: Häftad
• Språk: Engelska
• Serie: Innovative Prose
• Antal sidor: 137
• Förlag: Texas Review Press
• ISBN: 9781680034240

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Julia Cohen is the Director of Writing Across the Curriculum at Rocky Mountain College of Art and Design. She is the author of three previous books, I Was Not Born (Noemi Press), Collateral Light (Brooklyn Arts Press), and Triggermoon Triggermoon (Black Lawrence Press). Her work appears in journals like the Georgia Review, The Southeast Review, Fugue, and The Bennington Review. She co-curates, with Abby Hagler, a poetry interview series at Tarpaulin Sky Magazine.

"When I read Julia Cohen's Freak Lip I thought a lot about a sentence Adam Phillips wrote, "One goes to psychoanalysis, as one might go to poetry, for better words." Cohen's essays about childhood fears, living in an untamed body, and giving and receiving love unfold like enchanted logic puzzles. They are stories of moving from psychic isolation towards the great big embrace of it all, "how a sentence can spread across the ocean floor." Expansive, a little spooky, sopping wet, and surprising. Language, for Cohen, is both a slippery f**khead and the portal through which we can be loved. A portal filled with hearts, foxes, pussies, maggots, memory, and Gertrude Stein. It's a vulnerable book but not because she tells us secrets but because when I read it my own privacy quivered. As Cohen writes, "The lake sighs for us: the sound of loss we cannot make ourselves." See? Better words." —Sommer Browning, author of Good Actors"Freak Lip showcases Julia Cohen's bright mind and generous spirit, in experimental essays that moved me to laughter, tears, and—most frequently—to a sense of utter marvel. Grief inhabits these pages, so too do joy, desire, shame, silliness. Encountering this emotional and intellectual multitude feels like waking up inside a flock of murmurating birds whose individual movements you cannot predict, but whose collective swooping creates an undeniable whole. "I know this shape," you might think, as it swells and shrinks and shadows. "This shape is like a life." —Heather Christle, author of The Crying Book and In the Rhododendrons"A meditation on embodiment, desire, and the ineffability of language, Cohen braids scenic vignettes, text message transcripts, and literary theory with mesmerizing sensuality. . . . The entire collection probes the secrets bodies hold close, the truths better realized in the world than in words." —Compulsive Reader, Anna Rollins

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