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Ellen Warner - Other Half, Inbunden

Inbunden, Engelska, 2026

Other Half

Forty Men Reveal Life After Fifty

Av Ellen Warner

416 kr

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Beskrivning
An insightful and intimate look at aging and masculinity that includes interviews and portraits of men from around the world.What do men really think? From a taxi driver to a prince, a fishmonger to a professional boxer, The Other Half reveals the inner thoughts of men over fifty from different nationalities and different walks of life in their own words, illuminated by their portraits. Author and photojournalist Ellen Warner traveled the world to find out what men really think about love, work, and aging, speaking with well-known figures like film director James Ivory and journalist Bill Keller, as well as a philosopher, a chess grandmaster, a hair stylist, a financier, and more. Interviewing men from Colombia, Greece, Saudi Arabia, Sierra Leone, Sweden, and everywhere in between, Warner assembles a moving portrait of their reflections, insights, challenges, and hard-won triumphs.A companion to The Second Half: Forty Women Reveal Life After Fifty, Warner’s latest book shares the diverse, vibrant experiences of men over fifty.
Produktinformation
  • Utgivningsdatum: 2026-09-30
  • Mått: 178 x 229 x 28 mm
  • Vikt: 966 g
  • Format: Inbunden
  • Språk: Engelska
  • Antal sidor: 200
  • Förlag: Brandeis University Press
  • ISBN: 9781684583256
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Mer om författaren

Ellen Warner is the author of The Second Half: Forty Women Reveal Life After Fifty. Her photographs have been published in newspapers and magazines and exhibited extensively. Her writing has appeared in the New York Times, Travel and Leisure, and The Traveler. She lives in New York City.

Recensioner i media

“Warner’s The Other Half is a soulful, probing work of portraiture and social history. It captures both what is unique and what is representative about her subjects, and her artfulness in drawing them out—men of vastly different cultures, classes, and walks of life—is one of her own greatest gifts. Portraiture is mostly a history of the “male gaze.” But here is the “female gaze” in all its empathy and power.”

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