Like the traditional Tinikling dancers of the Philippines, whose feet flash between poles drumming against the ground, the poems and essays of Dancing Between Bamboo Poles evoke the agility needed to move between history and personal experience, to negotiate conflicting cultural expectations, and to trace the fluid nature of identity as it shifts from role to role.

Like the traditional Tinikling dancers of the Philippines, whose feet flash between poles drumming against the ground, the poems and essays of Dancing Between Bamboo Poles evoke the agility needed to move between history and personal experience, to negotiate conflicting cultural expectations, and to trace the fluid nature of identity as it shifts from role to role.

Like the traditional Tinikling dancers of the Philippines, whose feet flash between poles drumming against the ground, the poems and essays of Dancing Between Bamboo Poles evoke the agility needed to move between history and personal experience, to negotiate conflicting cultural expectations, and to trace the fluid nature of identity as it shifts from role to role.