“a slight cast down at the edges of the lips brings together work from the last decade of Katherine Hubbard’s prolific practice, which intertwines analogue photography, writing, and live performance. Reproductions of exhibited prints, a selection of new photographs, and images created from within her performances are gathered here, along with four of the artist’s original written works. This publication marks the first occasion for Hubbard’s photographs and writings-for-performance to exist on the same scale, that of the book. ”— co-editor, Corrine FitzpatrickThe book is accompanied by a poster with a full-scale detail reproduction of Katherine Hubbard's rip stop weave artwork, printed on glossy tissue paper. Additional contributions by Zoe Leonard, Mónica de la Torre, Elisabeth Sherman, and Lynne Tillman. Edited by Corrine Fitzpatrick and Lara Mimosa Montes.

“a slight cast down at the edges of the lips brings together work from the last decade of Katherine Hubbard’s prolific practice, which intertwines analogue photography, writing, and live performance. Reproductions of exhibited prints, a selection of new photographs, and images created from within her performances are gathered here, along with four of the artist’s original written works. This publication marks the first occasion for Hubbard’s photographs and writings-for-performance to exist on the same scale, that of the book. ”— co-editor, Corrine FitzpatrickThe book is accompanied by a poster with a full-scale detail reproduction of Katherine Hubbard's rip stop weave artwork, printed on glossy tissue paper. Additional contributions by Zoe Leonard, Mónica de la Torre, Elisabeth Sherman, and Lynne Tillman. Edited by Corrine Fitzpatrick and Lara Mimosa Montes.

“a slight cast down at the edges of the lips brings together work from the last decade of Katherine Hubbard’s prolific practice, which intertwines analogue photography, writing, and live performance. Reproductions of exhibited prints, a selection of new photographs, and images created from within her performances are gathered here, along with four of the artist’s original written works. This publication marks the first occasion for Hubbard’s photographs and writings-for-performance to exist on the same scale, that of the book. ”— co-editor, Corrine FitzpatrickThe book is accompanied by a poster with a full-scale detail reproduction of Katherine Hubbard's rip stop weave artwork, printed on glossy tissue paper. Additional contributions by Zoe Leonard, Mónica de la Torre, Elisabeth Sherman, and Lynne Tillman. Edited by Corrine Fitzpatrick and Lara Mimosa Montes.