Andrew DuBois is the author of three previous books, including Ashbery’s Forms of Attention and Start to Figure: Fugitive Essays, Selected Reviews, a collection that includes reviews of over 200 contemporary poets. He also co-edited The Anthology of Rap, named a Top Ten Book of the year by New York Magazine and The Village Voice. He is a member of the University of Toronto’s English department and divides his time between Toronto and Carbonear, Newfoundland.

“In this exciting debut, Andrew DuBois ignores the hand-wringing about irony in North American poetry, putting it to wild use as a resource for testing language’s capacities in the current of relentless play. The brilliant mind behind these flexible, world-bearing tableau-poems keeps seeking, equally unafraid of erudition and humor, on the trail of sound. When the dust settles, we are left with a living music.”

Andrew DuBois is the author of three previous books, including Ashbery’s Forms of Attention and Start to Figure: Fugitive Essays, Selected Reviews, a collection that includes reviews of over 200 contemporary poets. He also co-edited The Anthology of Rap, named a Top Ten Book of the year by New York Magazine and The Village Voice. He is a member of the University of Toronto’s English department and divides his time between Toronto and Carbonear, Newfoundland.

“In this exciting debut, Andrew DuBois ignores the hand-wringing about irony in North American poetry, putting it to wild use as a resource for testing language’s capacities in the current of relentless play. The brilliant mind behind these flexible, world-bearing tableau-poems keeps seeking, equally unafraid of erudition and humor, on the trail of sound. When the dust settles, we are left with a living music.”

Andrew DuBois is the author of three previous books, including Ashbery’s Forms of Attention and Start to Figure: Fugitive Essays, Selected Reviews, a collection that includes reviews of over 200 contemporary poets. He also co-edited The Anthology of Rap, named a Top Ten Book of the year by New York Magazine and The Village Voice. He is a member of the University of Toronto’s English department and divides his time between Toronto and Carbonear, Newfoundland.

“In this exciting debut, Andrew DuBois ignores the hand-wringing about irony in North American poetry, putting it to wild use as a resource for testing language’s capacities in the current of relentless play. The brilliant mind behind these flexible, world-bearing tableau-poems keeps seeking, equally unafraid of erudition and humor, on the trail of sound. When the dust settles, we are left with a living music.”