David A. Robertson (he/him/his) is a two-time winner of the Governor General's Literary Award, and recipient of the TD Canadian Children’s Literature Award and the Writer's Union of Canada Freedom to Read Award. Among many other accolades for his work as a writer for children and adults, in 2026 David was nominated for the prestigious Hans Christian Andersen Award. He has also received recognition for podcasting, public speaking, and social advocacy, including being honoured with a Doctor of Letters by the University of Manitoba in 2023 and a Doctor of Laws by the University of Lethbridge in 2025 for his outstanding contributions to the arts and society. David is a member of Norway House Cree Nation and lives in Winnipeg.Scott B. Henderson (he/him) is a freelance illustrator, whose reputation for cultural sensitivity and an openness to listen and learn has garnered a large body of work in collaboration with Indigenous and LGBTQIA+ communities. His work spans several critically acclaimed graphic novels, including 7 Generations: A Plains Cree Saga (Indigenous history & Residential Schools); A Girl Called Echo series (Métis history); A Blanket of Butterflies (2016 Eisner Nomination); a short story in Marvel Voices: Pride #1 (2022); and the post-apocalypse graphic novel, Last Breeds (fall 2024). Scott is a member of the LGBTQIA+ community. He resides in Winnipeg with his partner. Andrew Thomas (he/him/his) is a comic book artist and letterer from Brantford, Ontario. As an artist, Andrew has worked on a number of projects such as Teenage Mutant Ninja Turtles, Star Trek Strange New Worlds, and Kevin Smith's Quick Stops. As a Letterer, Andrew has worked on over 200 publications for companies including Disney, Archie Comics, BOOM! Studios, Image, and Dark Horse Comics. Follow him on Instagram @thefatmanwholetters

This book deals with topics of recovering and healing, from PTSD, fatigue, amnesia, grief, and learning how to work as a community for the benefit of everyone. The art style is realistic and gritty, reflecting the serious and dystopian tone of the story. Colors are dark and muted, actions are clear, and special effects of the supernatural pop off the page, a marked contrast to more normal backgrounds and objects.

David A. Robertson (he/him/his) is a two-time winner of the Governor General's Literary Award, and recipient of the TD Canadian Children’s Literature Award and the Writer's Union of Canada Freedom to Read Award. Among many other accolades for his work as a writer for children and adults, in 2026 David was nominated for the prestigious Hans Christian Andersen Award. He has also received recognition for podcasting, public speaking, and social advocacy, including being honoured with a Doctor of Letters by the University of Manitoba in 2023 and a Doctor of Laws by the University of Lethbridge in 2025 for his outstanding contributions to the arts and society. David is a member of Norway House Cree Nation and lives in Winnipeg.Scott B. Henderson (he/him) is a freelance illustrator, whose reputation for cultural sensitivity and an openness to listen and learn has garnered a large body of work in collaboration with Indigenous and LGBTQIA+ communities. His work spans several critically acclaimed graphic novels, including 7 Generations: A Plains Cree Saga (Indigenous history & Residential Schools); A Girl Called Echo series (Métis history); A Blanket of Butterflies (2016 Eisner Nomination); a short story in Marvel Voices: Pride #1 (2022); and the post-apocalypse graphic novel, Last Breeds (fall 2024). Scott is a member of the LGBTQIA+ community. He resides in Winnipeg with his partner. Andrew Thomas (he/him/his) is a comic book artist and letterer from Brantford, Ontario. As an artist, Andrew has worked on a number of projects such as Teenage Mutant Ninja Turtles, Star Trek Strange New Worlds, and Kevin Smith's Quick Stops. As a Letterer, Andrew has worked on over 200 publications for companies including Disney, Archie Comics, BOOM! Studios, Image, and Dark Horse Comics. Follow him on Instagram @thefatmanwholetters

This book deals with topics of recovering and healing, from PTSD, fatigue, amnesia, grief, and learning how to work as a community for the benefit of everyone. The art style is realistic and gritty, reflecting the serious and dystopian tone of the story. Colors are dark and muted, actions are clear, and special effects of the supernatural pop off the page, a marked contrast to more normal backgrounds and objects.