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Bryony Doran's first novel, The China Bird, won the Hookline novel competition in 2008 and was published in 2009, and followed in 2013 by her short story collection, The Sand Eggs. She has written and performed poetry for many years and completed an MA in Writing at Sheffield Hallam University. Born in a youth hostel on Dartmoor, she grew up in Cornwall and studied fashion at Manchester before moving to Yorkshire. She lives in Sheffield with her partner Bill Allerton, who is also a writer, and has one son. Jehanne Dubrow is the author of five poetry collections, including most recently The Arranged Marriage (University of New Mexico Press, 2015), Red Army Red (Northwestern, 2012) and Stateside (Northwestern, 2010). Her second book, From the Fever-World, won the Washington Writers' Poetry Competition (2009), and her first, The Hardship Post (2009), won the Three Candles Press Open Book Award and was recently re-released in a new edition by Sundress Publications (2013). She co-edited The Book of Scented Things: 100 Contemporary Poems About Perfume (Literary House Press, 2014). She has received the Alice Fay Di Castagnola Award from the Poetry Society of America, the Towson University Prize for Literature, an Individual Artist's Award from the Maryland State Arts Council, fellowships from the Sewanee Writers' Conference, and a Sosland Foundation Fellowship from the Center for Advanced Holocaust Studies. The daughter of American diplomats, Jehanne was born in Italy and grew up in Yugoslavia, Zaire, Poland, Belgium, Austria, and the United States. She is the Director of the Rose O'Neill Literary House and an Associate Professor of creative writing at Washington College. Elyse Fenton is the author of the poetry collections, Clamor (Cleveland University Press), winner of the 2010 University of Wales Dylan Thomas Prize and Sweet Insurgent (Saturnalia 2017). She is the recipient of the Alice Fay di Castagnola Prize, the Cleveland State University First Book Award, the Pablo Neruda Award and the Bob Bush Memorial Award, and was selected a New American Poet by the Poetry Society of America. Her poetry and prose has been published in The New York Times, Best New Poets, American Poetry Review, The White Review, Pleiades and Prairie Schooner, and has been featured on NPR's All Things Considered and PRI's The World. She has worked in the woods, on farms and in schools in Texas, New England, Mongolia, and the Pacific Northwest, and lives with her family in Portland, Oregon. Isabel Palmer is a freelance writer and a former English teacher and educational adviser. She lives in Swindon. Her pamphlet, Ground Signs (Flarestack Poets, 2014), was a Poetry Book Society Pamphlet Choice. In 2015 she read some of the poems on BBC Wiltshire and on Radio 4's The World at One with Martha Kearney, gave readings at the States of Independence event at De Montfort University, Leicester, and at Swindon Poetry Festival, and had a residency at Marlborough College. Her father and her son both served in the same regiment, the King's Shropshire Light Infantry (later the Rifles).

Ruth Padel on Bryony Doran's Bulletproof: 'A unique collection, telling a story as old as poetry itself but also horribly contemporary. Spare, compassionate, calmly crafted and sometimes funny, but also gripping and very moving, the poems introduce us to a dry, fresh and unmistakably original voice.'; Denise Saul & Luke Kennard (PBS Bulletin) on Isabel Palmer: 'A powerful poetic sequence... Several poems are close to heartbreaking... Ground Signs is an emotionally raw, uncompromising portrayal which is nonetheless crafted by a uniquely lyrical sensibility, and it's that ability to handle the material with such care which gives the sequence its power.'; Sam Hamill on Jehanne Dubrow's Stateside: 'The formalities of structure - rhyme and metre - play against the formalities imposed upon the life of a military wife. There are poems in marching metres and poems that provide counterpoint to those rhythms, but, most of all, hers is a fully experienced suite, fully composed in every sense of that word, both intimate and public, an accomplished book. She is a contemporary Penelope whose tale is epic.'; Dorianne Laux on Elyse Fenton's Clamor: 'The astonishing paradox of Elyse Fenton's Clamor lies in its raw, disturbing subject matter: the Iraq war, the body's destruction, desolation, and grief, set against an achingly beautiful love poetry... Fenton deftly and unabashedly tells a story of passion and doubt, of the terrible waiting and an otherworldly reunion, what we are capable of doing to and for each other, and what we do to endure.'