Abi Andrews is a writer from the Midlands. She studied at Goldsmiths college, and her work has been published in Five Dials, Caught by the River, The Clearing, The Dark Mountain Project, Tender and other journals, along with a pamphlet published with Goldsmiths Shorts. Her debut novel The Word for Woman is Wilderness was published by Serpent's Tail in February 2018, in the US with Two Dollar Radio in 2019, and will be translated into German, French and Spanish. She is working on her second novel.

The Word for Woman Is Wilderness is unlike any published work I have read ... rises to its own challenges in engaging intellectually as well as wholeheartedly with its questions about gender, genre and the concept of wilderness

Abi Andrews is a writer from the Midlands. She studied at Goldsmiths college, and her work has been published in Five Dials, Caught by the River, The Clearing, The Dark Mountain Project, Tender and other journals, along with a pamphlet published with Goldsmiths Shorts. Her debut novel The Word for Woman is Wilderness was published by Serpent's Tail in February 2018, in the US with Two Dollar Radio in 2019, and will be translated into German, French and Spanish. She is working on her second novel.

The Word for Woman Is Wilderness is unlike any published work I have read ... rises to its own challenges in engaging intellectually as well as wholeheartedly with its questions about gender, genre and the concept of wilderness

Abi Andrews is a writer from the Midlands. She studied at Goldsmiths college, and her work has been published in Five Dials, Caught by the River, The Clearing, The Dark Mountain Project, Tender and other journals, along with a pamphlet published with Goldsmiths Shorts. Her debut novel The Word for Woman is Wilderness was published by Serpent's Tail in February 2018, in the US with Two Dollar Radio in 2019, and will be translated into German, French and Spanish. She is working on her second novel.

The Word for Woman Is Wilderness is unlike any published work I have read ... rises to its own challenges in engaging intellectually as well as wholeheartedly with its questions about gender, genre and the concept of wilderness