Jozefina Komporaly is a translator and lecturer in theater and screen studies at Wimbledon College of Arts, London.

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• ‘Each Text is a New Beginning’: Refigurations of History, 3 Remembrance and Liberation in András Visky’s TheatreJozefina Komporaly Barrack Dramaturgy and the Captive AudienceAndrás Visky Introduction to Juliet: Confinement as Embodied Experience in András Visky’s JulietJozefina Komporaly Juliet: A Dialogue about LoveAndrás Visky Juliet (original title: Júlia): Production HistoryAndrás Visky Juliet in Korea: A Pedagogical PerspectiveJeremy D. Knapp Introduction to I Killed My Mother: When and Where I Killed My MotherKarin Coonrod I Killed My MotherAndrás Visky I Killed My Mother (original title: Megöltem az anyámat): Production HistoryAndrás Visky Introduction to Porn: Code Name ‘Porn’: Political Protest and Spiritual 201 Redemption in András Visky’s TheatreIleana Alexandra Orlich PornAndrás Visky Porn (original title: Pornó): Production HistoryIleana Alexandra Orlich Conversation with Melissa LorraineJozefina Komporaly ‘Holy Nakedness’: Interview with András ViskyMárti Sipos ‘God’s Accountability’: Interview with András ViskyMárti Sipos

Jozefina Komporaly is a translator and lecturer in theater and screen studies at Wimbledon College of Arts, London.

Select Guide Rating

• ‘Each Text is a New Beginning’: Refigurations of History, 3 Remembrance and Liberation in András Visky’s TheatreJozefina Komporaly Barrack Dramaturgy and the Captive AudienceAndrás Visky Introduction to Juliet: Confinement as Embodied Experience in András Visky’s JulietJozefina Komporaly Juliet: A Dialogue about LoveAndrás Visky Juliet (original title: Júlia): Production HistoryAndrás Visky Juliet in Korea: A Pedagogical PerspectiveJeremy D. Knapp Introduction to I Killed My Mother: When and Where I Killed My MotherKarin Coonrod I Killed My MotherAndrás Visky I Killed My Mother (original title: Megöltem az anyámat): Production HistoryAndrás Visky Introduction to Porn: Code Name ‘Porn’: Political Protest and Spiritual 201 Redemption in András Visky’s TheatreIleana Alexandra Orlich PornAndrás Visky Porn (original title: Pornó): Production HistoryIleana Alexandra Orlich Conversation with Melissa LorraineJozefina Komporaly ‘Holy Nakedness’: Interview with András ViskyMárti Sipos ‘God’s Accountability’: Interview with András ViskyMárti Sipos

Jozefina Komporaly is a translator and lecturer in theater and screen studies at Wimbledon College of Arts, London.

Select Guide Rating

• ‘Each Text is a New Beginning’: Refigurations of History, 3 Remembrance and Liberation in András Visky’s TheatreJozefina Komporaly Barrack Dramaturgy and the Captive AudienceAndrás Visky Introduction to Juliet: Confinement as Embodied Experience in András Visky’s JulietJozefina Komporaly Juliet: A Dialogue about LoveAndrás Visky Juliet (original title: Júlia): Production HistoryAndrás Visky Juliet in Korea: A Pedagogical PerspectiveJeremy D. Knapp Introduction to I Killed My Mother: When and Where I Killed My MotherKarin Coonrod I Killed My MotherAndrás Visky I Killed My Mother (original title: Megöltem az anyámat): Production HistoryAndrás Visky Introduction to Porn: Code Name ‘Porn’: Political Protest and Spiritual 201 Redemption in András Visky’s TheatreIleana Alexandra Orlich PornAndrás Visky Porn (original title: Pornó): Production HistoryIleana Alexandra Orlich Conversation with Melissa LorraineJozefina Komporaly ‘Holy Nakedness’: Interview with András ViskyMárti Sipos ‘God’s Accountability’: Interview with András ViskyMárti Sipos