Tyson Mitman is a lecturer in sociology and criminology at York St John University.

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• Chapters:AcknowledgmentsForewordChapter 1: Introduction and History1.1 It Shall Be Written 1.2 Graffiti History from Graffiti Writers’ Perspective 1.3 Graffiti History According to the City and Media (and Writers) 1.4 Wrap UpChapter 2: Graffiti and the City 2.1 North Philly Routin’ 2.2 Kasso, Philadelphia Mural Arts, and The Joker 2.3 The Arrest 2.4 The Trials 2.5 The Authoritative Constructions of GraffitiChapter 3: Graffiti, Rules, and Politics 3.1 The Rule, Guidelines, and Politics of Graffiti 3.2 Beef Inside the Graffiti Community 3.3 Graffiti Beef with the Rest of the CommunityInterlude: Kick It WickedChapter 4: The Graffiti Self and the Reimagined City 4.1 Making Space for Making Selves 4.2 Create, Destroy, Create, Destroy… 4.3 Neo-Liberalism? 4.4 The Gendered Writer 4.5 Resist, Remake, RepeatConclusion: And So It Was WrittenReferencesVitaIndex

Tyson Mitman is a lecturer in sociology and criminology at York St John University.

Select Guide Rating

• Chapters:AcknowledgmentsForewordChapter 1: Introduction and History1.1 It Shall Be Written 1.2 Graffiti History from Graffiti Writers’ Perspective 1.3 Graffiti History According to the City and Media (and Writers) 1.4 Wrap UpChapter 2: Graffiti and the City 2.1 North Philly Routin’ 2.2 Kasso, Philadelphia Mural Arts, and The Joker 2.3 The Arrest 2.4 The Trials 2.5 The Authoritative Constructions of GraffitiChapter 3: Graffiti, Rules, and Politics 3.1 The Rule, Guidelines, and Politics of Graffiti 3.2 Beef Inside the Graffiti Community 3.3 Graffiti Beef with the Rest of the CommunityInterlude: Kick It WickedChapter 4: The Graffiti Self and the Reimagined City 4.1 Making Space for Making Selves 4.2 Create, Destroy, Create, Destroy… 4.3 Neo-Liberalism? 4.4 The Gendered Writer 4.5 Resist, Remake, RepeatConclusion: And So It Was WrittenReferencesVitaIndex

Tyson Mitman is a lecturer in sociology and criminology at York St John University.

Select Guide Rating

• Chapters:AcknowledgmentsForewordChapter 1: Introduction and History1.1 It Shall Be Written 1.2 Graffiti History from Graffiti Writers’ Perspective 1.3 Graffiti History According to the City and Media (and Writers) 1.4 Wrap UpChapter 2: Graffiti and the City 2.1 North Philly Routin’ 2.2 Kasso, Philadelphia Mural Arts, and The Joker 2.3 The Arrest 2.4 The Trials 2.5 The Authoritative Constructions of GraffitiChapter 3: Graffiti, Rules, and Politics 3.1 The Rule, Guidelines, and Politics of Graffiti 3.2 Beef Inside the Graffiti Community 3.3 Graffiti Beef with the Rest of the CommunityInterlude: Kick It WickedChapter 4: The Graffiti Self and the Reimagined City 4.1 Making Space for Making Selves 4.2 Create, Destroy, Create, Destroy… 4.3 Neo-Liberalism? 4.4 The Gendered Writer 4.5 Resist, Remake, RepeatConclusion: And So It Was WrittenReferencesVitaIndex