Inbunden, Engelska, 2018
British Musical Criticism and Intellectual Thought, 1850-1950
Av Jeremy Dibble, Julian Horton
1730 kr
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Beskrivning
Produktinformation
- Utgivningsdatum: 2018-06-15
- Mått: 156 x 234 x 38 mm
- Vikt: 806 g
- Format: Inbunden
- Språk: Engelska
- Serie: Music in Britain, 1600-2000
- Antal sidor: 390
- Förlag: Boydell & Brewer Ltd
- ISBN: 9781783272877
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JEREMY DIBBLE is an Emeritus Professor of Music at Durham University where he taught for 30 years. With the Boydell Press, Dibble has published John Stainer: A Life in Music (2007), Hamilton Harty: Musical Polymath (2013), British Musical Criticism and Intellectual Thought, 1850-1950 (2018) (with Julian Horton), The Music of Frederick Delius (2021) and Charles Villers Stanford: Man and Musician (revised and expanded edition, 2024). HARRY WHITE is Professor of Music at University College Dublin, a Fellow of the Royal Irish Academy of Music and Series Editor (with Lorraine Byrne Bodley) of Irish Musical Studies. JEREMY DIBBLE is an Emeritus Professor of Music at Durham University where he taught for 30 years. With the Boydell Press, Dibble has published John Stainer: A Life in Music (2007), Hamilton Harty: Musical Polymath (2013), British Musical Criticism and Intellectual Thought, 1850-1950 (2018) (with Julian Horton), The Music of Frederick Delius (2021) and Charles Villers Stanford: Man and Musician (revised and expanded edition, 2024). KAREN ARRANDALE is a Life Member of Clare Hall, University of Cambridge, and former Senior Associate of King's College, Cambridge. PAUL WATT is Adjunct Professor of Musicology in The University of Adelaide. He is the author of Ernest Newman: A Critical Biography (The Boydell Press, 2017) and editor of The Symphonic Poem in Britain, 1850-1950 (with Michael Allis) (The Boydell Press, 2020). PHILIP ROSS BULLOCK is Professor of Russian and Music at the University of Oxford, and Fellow and Tutor in Russian at Wadham College, Oxford. Previously for Boydell,he has published a translation of the correspondencence between Rosa Newmarch and Jean Sibelius, and in 2016, his biography of Tchaikovsky was published in the Critical Lives series by Reaktion.
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[A] welcome addition to the growing literature on the writers who sought in one way or another to shape public opinion during an extraordinary period in the evolution of the role of music in British life, marked by radical transformations in musical culture both at home and abroad. . . . [A] major and timely contribution to the field of British music studies.
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