Bokus
Ahmed Saadawi - Frankenstein in Baghdad, E-bok

E-bok, Engelska, 2018

Frankenstein in Baghdad

SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2018

Av Ahmed Saadawi

106 kr

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Beskrivning
WINNER OF THE INTERNATIONAL PRIZE FOR ARABIC FICTIONWINNER OF THE KITSCHIES GOLDEN TENTACLE AWARDSHORTLISTED FOR THE BOOKER INTERNATIONAL PRIZESHORTLISTED FOR THE ARTHUR C. CLARKE AWARD 2019 A SATIRICAL REIMAGINING OF MARY SHELLEY'S FRANKENSTEIN SET IN MODERN-DAY BAGHDAD, BRILLIANTLY CAPTURING THE HORROR OF A CITY AT WARFrom the rubble-strewn streets of US-occupied Baghdad, Hadi collects body parts from the dead, which he stitches together to form a corpse.He claims he does it to force the government to recognise the parts as real people, and give them a proper burial.But when the corpse goes missing, a wave of eerie murders sweeps across the city, and reports stream in of a horrendous-looking, flesh-eating monster that cannot be killed. At first it's the guilty he attacks, but soon it's anyone who crosses his path...'A remarkable book' Observer * 'Brave and ingenious.' The New York Times
Produktinformation
  • Utgivningsdatum: 2018-02-01
  • Språk: Engelska
  • Filformat: EPUB
  • Kopieringsskydd: LCP
  • ISBN: 9781786070616
  • Förlag: Oneworld Publications
  • Översättare: Jonathan Wright
  • Mått: 135 x 216 x undefined mm
  • Utmärkelser: Winner of International Prize for Arabic Fiction 2014
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Ahmed Saadawi is an Iraqi novelist, poet, screenwriter and documentary filmmaker. In 2010 he was selected for Beirut39, as one of the thirty-nine best Arab authors under the age of forty, and in 2014 he became the first Iraqi to win the prestigious International Prize for Arabic Fiction. This prize was awarded to Frankenstein in Baghdad, which also won Le Grand Prix de L’Imaginaire in 2017. He lives in Baghdad.Jonathan Wright studied Arabic at Oxford University. He is the translator of Hassan Blasim's The Corpse Exhibition, which won the Independent Foreign Fiction Prize in 2014. He lives in London.

Recensioner i media

‘Strange, violent and wickedly funny... A remarkable achievement, and one that, regrettably, is unlikely ever to lose its urgent relevancy.’ Guardian

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