Kathleen Hudson is an Adjunct Professor of English Literature at Anne Arundel Community College and the United States Naval Academy, and is the author of Servants and the Gothic, 1764–1831: A half-told tale (2019).

Select Guide Rating

• AcknowledgementsList of IllustrationsList of ContributorsIntroductionAlternative Genealogies: (Re)tracing the Origins of Women’s Gothic in Sophia Lee’s The Recess and Mrs. Carver’s The Horrors of Oakendale Abbey - Anna ShajiratGothic before Gothic: Minerva Press Reviews, Gender and the Evolution of Genre - Hannah Doherty HudsonWhat ‘Poor Mrs. Kelly’ Saw: Isabella Kelly Reads The Monk - Yael ShapiraMary Robinson’s Gothic and the Prison of Gender - Deborah RussellAdopting the ‘Orphan’: Literary Exchange and Appropriation in Eleanor Sleath’s The Orphan of the Rhine - Kathleen HudsonThe Fiction of Mary Julia Young: Female Trade Gothic and Romantic Genre-Mixing - Nicky LloydSarah Wilkinson and J. F. Hughes: A Literary Relationship - Franz PotterNegotiating Gothic Nationalisms in Ann Radcliffe’s Post-1797 Texts: Gaston de Blondeville and St. Alban’s Abbey - Elizabeth BobbitRegina Maria Roche’s The Children of the Abbey: Its Literary Life and Afterlife - Christina MorinSelf-haunted Heroines: Remapping the generic “I” back into Romantic subjectivities - Elizabeth NeimanBibliography

Kathleen Hudson is an Adjunct Professor of English Literature at Anne Arundel Community College and the United States Naval Academy, and is the author of Servants and the Gothic, 1764–1831: A half-told tale (2019).

Select Guide Rating

• AcknowledgementsList of IllustrationsList of ContributorsIntroductionAlternative Genealogies: (Re)tracing the Origins of Women’s Gothic in Sophia Lee’s The Recess and Mrs. Carver’s The Horrors of Oakendale Abbey - Anna ShajiratGothic before Gothic: Minerva Press Reviews, Gender and the Evolution of Genre - Hannah Doherty HudsonWhat ‘Poor Mrs. Kelly’ Saw: Isabella Kelly Reads The Monk - Yael ShapiraMary Robinson’s Gothic and the Prison of Gender - Deborah RussellAdopting the ‘Orphan’: Literary Exchange and Appropriation in Eleanor Sleath’s The Orphan of the Rhine - Kathleen HudsonThe Fiction of Mary Julia Young: Female Trade Gothic and Romantic Genre-Mixing - Nicky LloydSarah Wilkinson and J. F. Hughes: A Literary Relationship - Franz PotterNegotiating Gothic Nationalisms in Ann Radcliffe’s Post-1797 Texts: Gaston de Blondeville and St. Alban’s Abbey - Elizabeth BobbitRegina Maria Roche’s The Children of the Abbey: Its Literary Life and Afterlife - Christina MorinSelf-haunted Heroines: Remapping the generic “I” back into Romantic subjectivities - Elizabeth NeimanBibliography

Kathleen Hudson is an Adjunct Professor of English Literature at Anne Arundel Community College and the United States Naval Academy, and is the author of Servants and the Gothic, 1764–1831: A half-told tale (2019).

Select Guide Rating

• AcknowledgementsList of IllustrationsList of ContributorsIntroductionAlternative Genealogies: (Re)tracing the Origins of Women’s Gothic in Sophia Lee’s The Recess and Mrs. Carver’s The Horrors of Oakendale Abbey - Anna ShajiratGothic before Gothic: Minerva Press Reviews, Gender and the Evolution of Genre - Hannah Doherty HudsonWhat ‘Poor Mrs. Kelly’ Saw: Isabella Kelly Reads The Monk - Yael ShapiraMary Robinson’s Gothic and the Prison of Gender - Deborah RussellAdopting the ‘Orphan’: Literary Exchange and Appropriation in Eleanor Sleath’s The Orphan of the Rhine - Kathleen HudsonThe Fiction of Mary Julia Young: Female Trade Gothic and Romantic Genre-Mixing - Nicky LloydSarah Wilkinson and J. F. Hughes: A Literary Relationship - Franz PotterNegotiating Gothic Nationalisms in Ann Radcliffe’s Post-1797 Texts: Gaston de Blondeville and St. Alban’s Abbey - Elizabeth BobbitRegina Maria Roche’s The Children of the Abbey: Its Literary Life and Afterlife - Christina MorinSelf-haunted Heroines: Remapping the generic “I” back into Romantic subjectivities - Elizabeth NeimanBibliography