Sylvie Matton is the author of three novels and four works of non-fiction. She has been an actress and screenwriter. With her husband, the artist and film-maker Charles Matton, she worked for two years on a feature-length film on the life of Rembrandt, which was premiered in Britain in 2001. She lives in France.Tamsin Black is a freelance translator and lives in Switzerland. She studied French literature in London and Paris, where she was awarded various prizes and scholarships. Rembrandt's Whore was her first translation of a work of fiction.

Using rich historical detail, Matton charts [Rembrandt's] ostracism from the Church and wealthy Amsterdam society, and reveals the tender, domestic side of the great master's life

Sylvie Matton is the author of three novels and four works of non-fiction. She has been an actress and screenwriter. With her husband, the artist and film-maker Charles Matton, she worked for two years on a feature-length film on the life of Rembrandt, which was premiered in Britain in 2001. She lives in France.Tamsin Black is a freelance translator and lives in Switzerland. She studied French literature in London and Paris, where she was awarded various prizes and scholarships. Rembrandt's Whore was her first translation of a work of fiction.

Using rich historical detail, Matton charts [Rembrandt's] ostracism from the Church and wealthy Amsterdam society, and reveals the tender, domestic side of the great master's life

Sylvie Matton is the author of three novels and four works of non-fiction. She has been an actress and screenwriter. With her husband, the artist and film-maker Charles Matton, she worked for two years on a feature-length film on the life of Rembrandt, which was premiered in Britain in 2001. She lives in France.Tamsin Black is a freelance translator and lives in Switzerland. She studied French literature in London and Paris, where she was awarded various prizes and scholarships. Rembrandt's Whore was her first translation of a work of fiction.

Using rich historical detail, Matton charts [Rembrandt's] ostracism from the Church and wealthy Amsterdam society, and reveals the tender, domestic side of the great master's life