Michael Green is a New York American writer and producer. In addition to writing for television, Green has written several feature film screenplays, including Logan, Alien: Covenant, Blade Runner 2049 and Murder on the Orient Express, all in 2017. For Logan, which he co-wrote with James Mangold and Scott Frank, Green was nominated for an Academy Award for Best Adapted Screenplay. He is also the co-author of several graphic novels including Batman: Lovers and Madmen, Super-Man/Batman and Supergirl with Mike Johnson.Mike Johnson is a prolific comic book writer with credits writing Titans, Superman, Batman, Star Trek: Nero and Star Trek: The Official Motion. He is the ongoing writer of the IDW Star Trek series, as well as comic book tie-ins to Fringe, Transformers.

"The mythology-expanding story is backed by artist Guinaldo's evocative depiction of the rain-sodden eco-catastrphine that is 2029 LA. Violent (including an eye-gouging) but supremely stylish" - Total Film “Johnson and Guinaldo have managed to hit that nostalgic sweet spot of familiarity and extension with a strong third act helping to elevate the story enough to warrant further exploration” - SciFi Now“The artwork is fantastic. There’s a dark gritty feel to it that also feels just as faithful to the films . . . You can practically hear the soundtrack of the original 1982 film playing in the background" - The Hashtag Show

Michael Green is a New York American writer and producer. In addition to writing for television, Green has written several feature film screenplays, including Logan, Alien: Covenant, Blade Runner 2049 and Murder on the Orient Express, all in 2017. For Logan, which he co-wrote with James Mangold and Scott Frank, Green was nominated for an Academy Award for Best Adapted Screenplay. He is also the co-author of several graphic novels including Batman: Lovers and Madmen, Super-Man/Batman and Supergirl with Mike Johnson.Mike Johnson is a prolific comic book writer with credits writing Titans, Superman, Batman, Star Trek: Nero and Star Trek: The Official Motion. He is the ongoing writer of the IDW Star Trek series, as well as comic book tie-ins to Fringe, Transformers.

"The mythology-expanding story is backed by artist Guinaldo's evocative depiction of the rain-sodden eco-catastrphine that is 2029 LA. Violent (including an eye-gouging) but supremely stylish" - Total Film “Johnson and Guinaldo have managed to hit that nostalgic sweet spot of familiarity and extension with a strong third act helping to elevate the story enough to warrant further exploration” - SciFi Now“The artwork is fantastic. There’s a dark gritty feel to it that also feels just as faithful to the films . . . You can practically hear the soundtrack of the original 1982 film playing in the background" - The Hashtag Show

Michael Green is a New York American writer and producer. In addition to writing for television, Green has written several feature film screenplays, including Logan, Alien: Covenant, Blade Runner 2049 and Murder on the Orient Express, all in 2017. For Logan, which he co-wrote with James Mangold and Scott Frank, Green was nominated for an Academy Award for Best Adapted Screenplay. He is also the co-author of several graphic novels including Batman: Lovers and Madmen, Super-Man/Batman and Supergirl with Mike Johnson.Mike Johnson is a prolific comic book writer with credits writing Titans, Superman, Batman, Star Trek: Nero and Star Trek: The Official Motion. He is the ongoing writer of the IDW Star Trek series, as well as comic book tie-ins to Fringe, Transformers.

"The mythology-expanding story is backed by artist Guinaldo's evocative depiction of the rain-sodden eco-catastrphine that is 2029 LA. Violent (including an eye-gouging) but supremely stylish" - Total Film “Johnson and Guinaldo have managed to hit that nostalgic sweet spot of familiarity and extension with a strong third act helping to elevate the story enough to warrant further exploration” - SciFi Now“The artwork is fantastic. There’s a dark gritty feel to it that also feels just as faithful to the films . . . You can practically hear the soundtrack of the original 1982 film playing in the background" - The Hashtag Show