The relationship between Christian theology and music has been complex since the early daysof the Church. In the twentieth century the secularization of Western culture has led to furthercomplexity. The search for the soul, following Nietzsche’s declaration of the Death of God hasled to an increasing body of literature in many fields on spirituality. This book is an attemptto open up a conversation between these related discourses, with contributions reflecting arange of perspectives within them. It is not the final word on the relationship but expresses aconviction about their relationship. Collecting together such a variety of approaches allows newunderstandings to emerge from their juxtaposition and collation. This book will contribute tothe ongoing debate between theology, spirituality, culture and the arts. It includes contexts withstructured relationships between music and the Church alongside situations where spiritualityand music are explored with sometimes distant echoes of Divinity and ancient theologiesreinterpreted for the contemporary world.
