John Rutherford taught Spanish and Spanish-American language and literature at the University of Oxford for over forty years. Among his many translations are Don Quixote and La Regenta, both for Penguin Classics.

As the second part of Cervantess Don Quxiote proved, the commonplace that sequels invariably disappoint isnt always true. Following on from the pedagogical and poetic exemplarity of The Spanish Golden Age Sonnet, John Rutherford covers latter centuries in elegant and erudite fashion. His enviable ability to navigate Castilian, Catalan and Galician comes in handy. A lifetime of teaching and translating allows him to curate canonical and less-canonical works, demonstrating the towering influence of the Golden Age on subsequent centuries, whilst remaining alive to the possibilities of innovation and change in even the least celebrated periods of Spanish letters.

• PrefaceIntroductionDiego de Torres VillarroelNicolás Fernández de MoratínJosé CadalsoTomás de IriarteJuan Meléndez ValdésJosé de EsproncedaGertrudis Gómez de AvellanedaCarolina CoronadoAdelardo López de AyalaJosé EchegarayPedro Antonio de AlarcónGaspar Núñez de ArceGustavo Alonso BécquerLeopoldo Cano y MasasManuel Curros EnríquezJoan AlcoverSalvador RuedaMiguel de UnamunoRubén DaríoManuel MachadoAntonio MachadoRamón CabanillasJuan Ramón JiménezJosep CarnerTomás MoralesJ. V. FoixJorge GuillénCarles RibaXosé Crecente VegaGerardo DiegoAvelino DíazFederico García LorcaRosa ChacelDámaso AlonsoRafael AlbertiMiguel HernándezXosé María Díaz CastroBlas de OteroJoan BrossaRafael MoralesLuz Pozo GarzaJosé María ValverdeRamón García GonzálezAntonio GamonedaFrancisco BrinesAntonio CarvajalJesús Royo ArpónLuis Alberto de CuencaDarío Xohán CabanaRamiro FonteAcknowledgementsSelect BibliographyIndex of first lines of Spanish sonnetsIndex

John Rutherford taught Spanish and Spanish-American language and literature at the University of Oxford for over forty years. Among his many translations are Don Quixote and La Regenta, both for Penguin Classics.

As the second part of Cervantess Don Quxiote proved, the commonplace that sequels invariably disappoint isnt always true. Following on from the pedagogical and poetic exemplarity of The Spanish Golden Age Sonnet, John Rutherford covers latter centuries in elegant and erudite fashion. His enviable ability to navigate Castilian, Catalan and Galician comes in handy. A lifetime of teaching and translating allows him to curate canonical and less-canonical works, demonstrating the towering influence of the Golden Age on subsequent centuries, whilst remaining alive to the possibilities of innovation and change in even the least celebrated periods of Spanish letters.

• PrefaceIntroductionDiego de Torres VillarroelNicolás Fernández de MoratínJosé CadalsoTomás de IriarteJuan Meléndez ValdésJosé de EsproncedaGertrudis Gómez de AvellanedaCarolina CoronadoAdelardo López de AyalaJosé EchegarayPedro Antonio de AlarcónGaspar Núñez de ArceGustavo Alonso BécquerLeopoldo Cano y MasasManuel Curros EnríquezJoan AlcoverSalvador RuedaMiguel de UnamunoRubén DaríoManuel MachadoAntonio MachadoRamón CabanillasJuan Ramón JiménezJosep CarnerTomás MoralesJ. V. FoixJorge GuillénCarles RibaXosé Crecente VegaGerardo DiegoAvelino DíazFederico García LorcaRosa ChacelDámaso AlonsoRafael AlbertiMiguel HernándezXosé María Díaz CastroBlas de OteroJoan BrossaRafael MoralesLuz Pozo GarzaJosé María ValverdeRamón García GonzálezAntonio GamonedaFrancisco BrinesAntonio CarvajalJesús Royo ArpónLuis Alberto de CuencaDarío Xohán CabanaRamiro FonteAcknowledgementsSelect BibliographyIndex of first lines of Spanish sonnetsIndex

John Rutherford taught Spanish and Spanish-American language and literature at the University of Oxford for over forty years. Among his many translations are Don Quixote and La Regenta, both for Penguin Classics.

As the second part of Cervantess Don Quxiote proved, the commonplace that sequels invariably disappoint isnt always true. Following on from the pedagogical and poetic exemplarity of The Spanish Golden Age Sonnet, John Rutherford covers latter centuries in elegant and erudite fashion. His enviable ability to navigate Castilian, Catalan and Galician comes in handy. A lifetime of teaching and translating allows him to curate canonical and less-canonical works, demonstrating the towering influence of the Golden Age on subsequent centuries, whilst remaining alive to the possibilities of innovation and change in even the least celebrated periods of Spanish letters.

• PrefaceIntroductionDiego de Torres VillarroelNicolás Fernández de MoratínJosé CadalsoTomás de IriarteJuan Meléndez ValdésJosé de EsproncedaGertrudis Gómez de AvellanedaCarolina CoronadoAdelardo López de AyalaJosé EchegarayPedro Antonio de AlarcónGaspar Núñez de ArceGustavo Alonso BécquerLeopoldo Cano y MasasManuel Curros EnríquezJoan AlcoverSalvador RuedaMiguel de UnamunoRubén DaríoManuel MachadoAntonio MachadoRamón CabanillasJuan Ramón JiménezJosep CarnerTomás MoralesJ. V. FoixJorge GuillénCarles RibaXosé Crecente VegaGerardo DiegoAvelino DíazFederico García LorcaRosa ChacelDámaso AlonsoRafael AlbertiMiguel HernándezXosé María Díaz CastroBlas de OteroJoan BrossaRafael MoralesLuz Pozo GarzaJosé María ValverdeRamón García GonzálezAntonio GamonedaFrancisco BrinesAntonio CarvajalJesús Royo ArpónLuis Alberto de CuencaDarío Xohán CabanaRamiro FonteAcknowledgementsSelect BibliographyIndex of first lines of Spanish sonnetsIndex