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Robbie Arnott - Rain Heron, Häftad

Häftad, Engelska, 2021

Rain Heron

SHORTLISTED FOR THE MILES FRANKLIN LITERARY AWARD

Av Robbie Arnott

Del i serien Atlantic Books

137 kr

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Beskrivning
**SHORTLISTED FOR THE MILES FRANKLIN LITERARY AWARD **'Astonishing... With the intensity of a perfect balance between the mythic and the real, The Rain Heron keeps turning and twisting, taking you to unexpected places. A deeply emotional and satisfying read. Beautifully written' Jeff VanderMeerRen lives alone on the remote frontier of a country devastated by a coup. High on the forested slopes, she survives by hunting and trading - and forgetting. But when a young soldier comes to the mountains in search of a legendary creature, Ren is inexorably drawn into an impossible mission. As their lives entwine, unravel and erupt - as myth merges with reality - both Ren and the soldier are forced to confront what they regret, what they love, and what they fear.A vibrant homage to the natural world, bursting with beautiful landscapes and memorable characters, The Rain Heron is a beautifully told eco-fable about our fragile and dysfunctional relationships with the planet and with each other, the havoc we wreak and the price we pay.'I was transfixed' Catherine Lacey, author of Pew'Fantastic' Kawai Strong Washburn, author of Sharks in the Time of Saviours
Produktinformation
  • Utgivningsdatum: 2021-06-03
  • Mått: 129 x 198 x 20 mm
  • Vikt: 281 g
  • Format: Häftad
  • Språk: Engelska
  • Serie: Atlantic Books
  • Antal sidor: 288
  • Förlag: Atlantic Books
  • ISBN: 9781838951283
  • Utmärkelser: Short-listed for The Miles Franklin Award 2021 (UK)
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Mer om författaren

Robbie Arnott was born in Launceston in 1989. Flames, his highly acclaimed first novel, was published in 2018, and was shortlisted for the Victorian Premier's Literary Award for Fiction and the Guardian Booker Prize, and longlisted for the Miles Franklin Literary Award. He lives in Hobart.

Recensioner i media

Arnott's eco-fable, set in a politically broken near future, explores the constant push-pull that exists between our capacity for enchantment and our need to exploit what we find. It's sad and satisfying.

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