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John Broderick - Pilgrimage, Häftad

Häftad, Engelska, 2026

Pilgrimage

Av John Broderick

163 kr

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Beskrivning
Banned on its 1961 release and long overlooked, The Pilgrimage returns as a startlingly modern portrait of desire, secrecy and small‑town conformity. John Broderick’s fearless debut follows Julia Glynn, a respectable wife in an Irish midlands town whose carefully arranged life begins to fracture after a series of anonymous letters expose the frailty of the world she inhabits.As Julia, her ailing husband, their watchful manservant and an ambitious young doctor prepare for a pilgrimage to Lourdes, the novel plunges into the hypocrisies, longings and unspoken tensions that shape a society crackling with self-awareness and concealed passions. Darkly comic, unsettling and steeped in the atmosphere of 1950s Ireland, The Pilgrimage offers a daring exploration of sexuality, power and self‑deception. Tt stands as a vivid, transgressive classic that feels as provocative, and as essential, as ever.
Produktinformation
  • Utgivningsdatum: 2026-05-07
  • Mått: 129 x 198 x undefined mm
  • Format: Häftad
  • Språk: Engelska
  • Antal sidor: 230
  • Förlag: The Lilliput Press Ltd
  • ISBN: 9781843519775
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John Broderick (1924–1989) was a novelist, critic and patron of the arts, celebrated for his unsparing portraits of Irish provincial life. The only child of a bakery family, he lived for periods in Paris, forming friendships with writers such as Julien Green, Gore Vidal and Truman Capote. His debut novel The Pilgrimage (1961) was banned in Ireland but appeared in the U.S. as The Chameleons, establishing his reputation. A pioneering writer of queer Irish lives, Broderick was contributor to The Irish Times, and was elected to the Irish Academy of Letters in 1968. He died in Bath in 1989, bequething his estate to support the arts of his home town of Athlone.

Recensioner i media

“A taut stylish book that surely read like an incendiary device at the time . . . Broderick’s tightly controlled style is awash with the sharp humour of recognition. He exposes Catholicism but has no need to mock it. People go through empty rituals of observance and lead utterly secular and selfish lives, but it doesn’t mean God isn’t watching. With The Pilgrimage, Athlone found its Balzac . . . a man unafraid to confront taboos at a time when others felt it wiser to keep their heads down.”

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