Harriet Tarlo's publications include Field (Shearsman, 2016) Poems 2004-2014 (Shearsman 2015); Poems 1990-2003 (Shearsman, 2004); Nab (etruscan 2005), and, with Judith Tucker, Sound Unseen, behind land, outfalls, and neverends (all from Wild Pansy, 2013-2018). She is editor of The Ground Aslant: An Anthology of Radical Landscape Poetry (Shearsman, 2011). Critical work appears in volumes from Salt, Palgrave, Rodopi and Bloodaxe and in Pilot, Jacket, English and the Journal of Ecocriticism. Her collaborative work with Tucker has shown at galleries in Southampton; Minneapolis; Grimsby; Lyon and Cambridge. She is a Reader in Creative Writing at Sheffield Hallam University.

Harriet Tarlo's publications include Field (Shearsman, 2016) Poems 2004-2014 (Shearsman 2015); Poems 1990-2003 (Shearsman, 2004); Nab (etruscan 2005), and, with Judith Tucker, Sound Unseen, behind land, outfalls, and neverends (all from Wild Pansy, 2013-2018). She is editor of The Ground Aslant: An Anthology of Radical Landscape Poetry (Shearsman, 2011). Critical work appears in volumes from Salt, Palgrave, Rodopi and Bloodaxe and in Pilot, Jacket, English and the Journal of Ecocriticism. Her collaborative work with Tucker has shown at galleries in Southampton; Minneapolis; Grimsby; Lyon and Cambridge. She is a Reader in Creative Writing at Sheffield Hallam University.

Harriet Tarlo's publications include Field (Shearsman, 2016) Poems 2004-2014 (Shearsman 2015); Poems 1990-2003 (Shearsman, 2004); Nab (etruscan 2005), and, with Judith Tucker, Sound Unseen, behind land, outfalls, and neverends (all from Wild Pansy, 2013-2018). She is editor of The Ground Aslant: An Anthology of Radical Landscape Poetry (Shearsman, 2011). Critical work appears in volumes from Salt, Palgrave, Rodopi and Bloodaxe and in Pilot, Jacket, English and the Journal of Ecocriticism. Her collaborative work with Tucker has shown at galleries in Southampton; Minneapolis; Grimsby; Lyon and Cambridge. She is a Reader in Creative Writing at Sheffield Hallam University.