Zoe Skoulding is primarily a poet, though her work encompasses sound-based vocal performance, collaboration, translation, literary criticism, editing, and teaching creative writing. Her publications include This Way Under (Seren, 2019). Teint (Hafan Books, 2016), The Museum of Disappearing Sounds (Seren, 2013 - shortlisted for the Ted Hughes Award for New Work in Poetry), Remains of a Future City (Seren, 2008), and The Mirror Trade (Seren, 2004). In 2018 she received the Cholmondeley Award from the Society of Authors for her work in poetry.She is Reader in the School of Languages, Literatures and Linguistics at Bangor University, where she ran the network Poetry in Expanded Translation. Her monograph Experimental Cities: Contemporary Women's Poetry and the City was published by Palgrave Macmillan in 2013. She was Editor of the international quarterly Poetry Wales from 2008 to 2014 and co-founded the (North) Wales International Poetry Festival in 2012.

Zoe Skoulding is primarily a poet, though her work encompasses sound-based vocal performance, collaboration, translation, literary criticism, editing, and teaching creative writing. Her publications include This Way Under (Seren, 2019). Teint (Hafan Books, 2016), The Museum of Disappearing Sounds (Seren, 2013 - shortlisted for the Ted Hughes Award for New Work in Poetry), Remains of a Future City (Seren, 2008), and The Mirror Trade (Seren, 2004). In 2018 she received the Cholmondeley Award from the Society of Authors for her work in poetry.She is Reader in the School of Languages, Literatures and Linguistics at Bangor University, where she ran the network Poetry in Expanded Translation. Her monograph Experimental Cities: Contemporary Women's Poetry and the City was published by Palgrave Macmillan in 2013. She was Editor of the international quarterly Poetry Wales from 2008 to 2014 and co-founded the (North) Wales International Poetry Festival in 2012.

Zoe Skoulding is primarily a poet, though her work encompasses sound-based vocal performance, collaboration, translation, literary criticism, editing, and teaching creative writing. Her publications include This Way Under (Seren, 2019). Teint (Hafan Books, 2016), The Museum of Disappearing Sounds (Seren, 2013 - shortlisted for the Ted Hughes Award for New Work in Poetry), Remains of a Future City (Seren, 2008), and The Mirror Trade (Seren, 2004). In 2018 she received the Cholmondeley Award from the Society of Authors for her work in poetry.She is Reader in the School of Languages, Literatures and Linguistics at Bangor University, where she ran the network Poetry in Expanded Translation. Her monograph Experimental Cities: Contemporary Women's Poetry and the City was published by Palgrave Macmillan in 2013. She was Editor of the international quarterly Poetry Wales from 2008 to 2014 and co-founded the (North) Wales International Poetry Festival in 2012.