Clare Pollard was born in Bolton in 1978 and lives in London. She has published five collections with Bloodaxe: The Heavy-Petting Zoo (1998), which she wrote while still at school; Bedtime (2002); Look, Clare! Look! (2005); Changeling (2011), a Poetry Book Society Recommendation; and Incarnation (2017). Her translation Ovid's Heroines was published by Bloodaxe in 2013. Her first play The Weather (Faber, 2004) premièred at the Royal Court Theatre. She works as an editor, broadcaster and teacher. Her documentary for radio, My Male Muse (2007), was a Radio 4 Pick of the Year. She is co-editor, with James Byrne, of the anthology Voice Recognition: 21 poets for the 21st century (Bloodaxe Books, 2009), and translator (with Maxamed Xasan ‘Alto’ and Said Jama Hussein) of Asha Lul Mohamud Yusuf's The Sea-Migrations (Somali title: Tahriib), published by Bloodaxe Books in 2017 with The Poetry Translation Centre. In 2017 she took over the editorship of Modern Poetry in Translation. Her non-fiction book Fierce Bad Rabbits: The Tales Behind our Picture Books was published by Fig Tree in 2019.

"Her work really is emphatically of our time, capturing the world in its beauties and horrors in writing that's technically superb, but which also has what, if I was a sentimental chap, I'd call heart" - Ian McMillan, The Verb. "The themes are ancient - guilt, grief, the almost unbearable com-mingling of beauty and suffering - but shown through contemporary globalised life in all its grossness and glory - Pollard's wit, honesty and recklessness" - Frances Leviston, Yorkshire Post. "Clare Pollard has so much youthful talent that it's alarming. The poems are raw and sexy, exotic and compelling, their insights at once intimate and universal. There's a cruel precision of observation too, coupled with a real opulence, about these pieces - I loved the headlong rush of it all" - Catherine Czerkawska, Mslexia.

Clare Pollard was born in Bolton in 1978 and lives in London. She has published five collections with Bloodaxe: The Heavy-Petting Zoo (1998), which she wrote while still at school; Bedtime (2002); Look, Clare! Look! (2005); Changeling (2011), a Poetry Book Society Recommendation; and Incarnation (2017). Her translation Ovid's Heroines was published by Bloodaxe in 2013. Her first play The Weather (Faber, 2004) premièred at the Royal Court Theatre. She works as an editor, broadcaster and teacher. Her documentary for radio, My Male Muse (2007), was a Radio 4 Pick of the Year. She is co-editor, with James Byrne, of the anthology Voice Recognition: 21 poets for the 21st century (Bloodaxe Books, 2009), and translator (with Maxamed Xasan ‘Alto’ and Said Jama Hussein) of Asha Lul Mohamud Yusuf's The Sea-Migrations (Somali title: Tahriib), published by Bloodaxe Books in 2017 with The Poetry Translation Centre. In 2017 she took over the editorship of Modern Poetry in Translation. Her non-fiction book Fierce Bad Rabbits: The Tales Behind our Picture Books was published by Fig Tree in 2019.

"Her work really is emphatically of our time, capturing the world in its beauties and horrors in writing that's technically superb, but which also has what, if I was a sentimental chap, I'd call heart" - Ian McMillan, The Verb. "The themes are ancient - guilt, grief, the almost unbearable com-mingling of beauty and suffering - but shown through contemporary globalised life in all its grossness and glory - Pollard's wit, honesty and recklessness" - Frances Leviston, Yorkshire Post. "Clare Pollard has so much youthful talent that it's alarming. The poems are raw and sexy, exotic and compelling, their insights at once intimate and universal. There's a cruel precision of observation too, coupled with a real opulence, about these pieces - I loved the headlong rush of it all" - Catherine Czerkawska, Mslexia.