Zoë Skoulding is primarily a poet, although her work encompasses sound-based vocal performance, collaboration, translation, literary criticism, editing, and teaching creative writing. She is Reader in the School of Languages, Literatures and Linguistics at Bangor University. She is the author of a number of poetry collections, including ‘The Museum of Disappearing Sounds’ (Seren) which was shortlisted for the Ted Hughes Award, and ‘Remains of a Future City’, (Seren) which was long-listed for Wales Book of the Year.

"Unfolding surprises but never withholding meaning, The Mirror Trade continually urges readers into new or freshly imagined territory." - Carol Rumens.

Zoë Skoulding is primarily a poet, although her work encompasses sound-based vocal performance, collaboration, translation, literary criticism, editing, and teaching creative writing. She is Reader in the School of Languages, Literatures and Linguistics at Bangor University. She is the author of a number of poetry collections, including ‘The Museum of Disappearing Sounds’ (Seren) which was shortlisted for the Ted Hughes Award, and ‘Remains of a Future City’, (Seren) which was long-listed for Wales Book of the Year.

"Unfolding surprises but never withholding meaning, The Mirror Trade continually urges readers into new or freshly imagined territory." - Carol Rumens.

Zoë Skoulding is primarily a poet, although her work encompasses sound-based vocal performance, collaboration, translation, literary criticism, editing, and teaching creative writing. She is Reader in the School of Languages, Literatures and Linguistics at Bangor University. She is the author of a number of poetry collections, including ‘The Museum of Disappearing Sounds’ (Seren) which was shortlisted for the Ted Hughes Award, and ‘Remains of a Future City’, (Seren) which was long-listed for Wales Book of the Year.

"Unfolding surprises but never withholding meaning, The Mirror Trade continually urges readers into new or freshly imagined territory." - Carol Rumens.