This slice of kitchen sink noir tells Dunbar’s story in print for the very first time. Featuring a cast of real and imagined characters, it is the result of four years’ painstaking research that has unearthed the hidden story of one of the North’s most enigmatic figures. It is a tale of the North / South divide and reveals how a shy teenage girl defied the circumstances she was born into to become one of West Yorkshire’s greatest dramatists.

Set in the Thatcher era, it maps the extraordinary rise of a young woman from the Buttershaw estate, who is discovered via a Women’s Aid refuge. She is propelled into the London theatre establishment and an adapted screenplay of two of her early plays brings her wealth, accolades and notoriety, while raising three young children.

Rita, Sue and Bob Too! was a national scandal upon its release, and its tagline ‘Thatcher’s Britain with Her Knickers Down’ ensures it is a box office sensation. Fame brings anxiety however, and Dunbar is unable to cope with the media attention, pressures of family life and writer’s block. She slowly succumbs to the pitfalls of drink and spends her last days in her local pub The Beacon, where she completes her final script based on a gang of unscrupulous debt collectors. In 1990, aged 29, she collapses from a fatal brain haemorrhage.

One of the most important writers of her generation, this remarkably stubborn ‘genius straight from the slums’ recorded the everyday realities of working-class life in the North of England. Dunbar’s unflinching autobiographical plays included themes of domestic violence, underage sex, poverty, racism, alcoholism and the declining status of men. By using frank and expletive-ridden dialogue she created a no-holds-barred account of the underclass composed in the tradition of social realism.

This slice of kitchen sink noir tells Dunbar’s story in print for the very first time. Featuring a cast of real and imagined characters, it is the result of four years’ painstaking research that has unearthed the hidden story of one of the North’s most enigmatic figures. It is a tale of the North / South divide and reveals how a shy teenage girl defied the circumstances she was born into to become one of West Yorkshire’s greatest dramatists.

Set in the Thatcher era, it maps the extraordinary rise of a young woman from the Buttershaw estate, who is discovered via a Women’s Aid refuge. She is propelled into the London theatre establishment and an adapted screenplay of two of her early plays brings her wealth, accolades and notoriety, while raising three young children.

Rita, Sue and Bob Too! was a national scandal upon its release, and its tagline ‘Thatcher’s Britain with Her Knickers Down’ ensures it is a box office sensation. Fame brings anxiety however, and Dunbar is unable to cope with the media attention, pressures of family life and writer’s block. She slowly succumbs to the pitfalls of drink and spends her last days in her local pub The Beacon, where she completes her final script based on a gang of unscrupulous debt collectors. In 1990, aged 29, she collapses from a fatal brain haemorrhage.

One of the most important writers of her generation, this remarkably stubborn ‘genius straight from the slums’ recorded the everyday realities of working-class life in the North of England. Dunbar’s unflinching autobiographical plays included themes of domestic violence, underage sex, poverty, racism, alcoholism and the declining status of men. By using frank and expletive-ridden dialogue she created a no-holds-barred account of the underclass composed in the tradition of social realism.