Beverley Curran teaches linguistic, cultural, and media translation at Aichi Shukutoku University in Nagoya, Japan. Her articles have appeared in several collections and journals, including Canadian Literature and The Theatre Journal, and she collaborated on the Japanese translation of Nicole Brossard’s Journal Intime. She is the current editor of the Journal of Irish Studies.

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• Introduction, Beverley Curran; Chapter 1 How Do You Say ‘Mister Charlie’ in Japanese?, Beverley Curran; Chapter 2 Speaking Lily-White, Beverley Curran; Chapter 3 Is the ‘Rez’ in The Rez Sisters the same ‘Rez’ in Rezubian?, Beverley Curran; Chapter 4 The Limits of Aboriginal Theatre Translation, Beverley Curran; Chapter 5 Translating Nô: Daphne Marlatt's The Gull, Beverley Curran;

Beverley Curran teaches linguistic, cultural, and media translation at Aichi Shukutoku University in Nagoya, Japan. Her articles have appeared in several collections and journals, including Canadian Literature and The Theatre Journal, and she collaborated on the Japanese translation of Nicole Brossard’s Journal Intime. She is the current editor of the Journal of Irish Studies.

Select Guide Rating

• Introduction, Beverley Curran; Chapter 1 How Do You Say ‘Mister Charlie’ in Japanese?, Beverley Curran; Chapter 2 Speaking Lily-White, Beverley Curran; Chapter 3 Is the ‘Rez’ in The Rez Sisters the same ‘Rez’ in Rezubian?, Beverley Curran; Chapter 4 The Limits of Aboriginal Theatre Translation, Beverley Curran; Chapter 5 Translating Nô: Daphne Marlatt's The Gull, Beverley Curran;

Beverley Curran teaches linguistic, cultural, and media translation at Aichi Shukutoku University in Nagoya, Japan. Her articles have appeared in several collections and journals, including Canadian Literature and The Theatre Journal, and she collaborated on the Japanese translation of Nicole Brossard’s Journal Intime. She is the current editor of the Journal of Irish Studies.

Select Guide Rating

• Introduction, Beverley Curran; Chapter 1 How Do You Say ‘Mister Charlie’ in Japanese?, Beverley Curran; Chapter 2 Speaking Lily-White, Beverley Curran; Chapter 3 Is the ‘Rez’ in The Rez Sisters the same ‘Rez’ in Rezubian?, Beverley Curran; Chapter 4 The Limits of Aboriginal Theatre Translation, Beverley Curran; Chapter 5 Translating Nô: Daphne Marlatt's The Gull, Beverley Curran;