Matilda Leyser read English Literature at King’s College, London and then ran away to join the circus. She trained as an aerialist, working up a rope, collaborating with dance and theatre companies, making her own work, and performing in diverse venues, including the National Theatre, Shakespeare’s Globe, and the Royal Opera House. After ten years in the air, she decided to come down to earth and take up the far more dangerous act of writing on the ground. She has two children, and is the founder and director of an international movement for creative mothers and carers called M/Others Who Make: https://www.motherswhomake.org. She also works as an associate director with Improbable, a world-renowned theatre company: https://www.improbable.co.uk.

‘Matilda Leyser’s novel takes the eternal polarities — love and hate, life and death, summer and winter, possibility and impossibility — and brings them crashing together in a tumultuous story of gods living alongside humanity, mother-daughter love and loss, and a glimmer of hope despite it all. In No Season but the Summer, our world is still dying, but it is putting up a hell of a fight as it does so, reminding us that we can fight too, and that fighting for our lives might start with listening to the earth.’

Matilda Leyser read English Literature at King’s College, London and then ran away to join the circus. She trained as an aerialist, working up a rope, collaborating with dance and theatre companies, making her own work, and performing in diverse venues, including the National Theatre, Shakespeare’s Globe, and the Royal Opera House. After ten years in the air, she decided to come down to earth and take up the far more dangerous act of writing on the ground. She has two children, and is the founder and director of an international movement for creative mothers and carers called M/Others Who Make: https://www.motherswhomake.org. She also works as an associate director with Improbable, a world-renowned theatre company: https://www.improbable.co.uk.

‘Matilda Leyser’s novel takes the eternal polarities — love and hate, life and death, summer and winter, possibility and impossibility — and brings them crashing together in a tumultuous story of gods living alongside humanity, mother-daughter love and loss, and a glimmer of hope despite it all. In No Season but the Summer, our world is still dying, but it is putting up a hell of a fight as it does so, reminding us that we can fight too, and that fighting for our lives might start with listening to the earth.’