Cumbria refuses to be scenery. This collection walks the county place by place — from the volcanic pikes of the central fells to the limestone shoulders of the coast — reading the land not as a view but as a record of pressure: ice-carved valleys, collapsing slate, old lead-mining scars healed over by moor grass, and the hefted flocks of Herdwick sheep that still mark the line between pasture and fell.Each of the more than seventy poems is anchored to a named place: a fell, a tarn, a market town, a stone circle, a Roman fort, a stretch of tide-scoured coast. Together they trace Cumbria's fractured geology — Skiddaw slate, Borrowdale volcanics, sedimentary limestone — and the human lives built across the fault lines between them: the shepherd set against the slate, the tourist town against the working port. There is no postcard here, only the weather, the rock, and the long memory of the ground.Lakes To Fells In Poetry is the third volume in the British Counties In Verse series, following earlier collections on Cornwall and North Yorkshire, and its most sustained study yet of a single landscape. Written from the boots up rather than the view down, it will reward readers of place-rooted poetry, hill walkers, and anyone who has stood on a fell top in bad weather and felt the ground answer back.

Cumbria refuses to be scenery. This collection walks the county place by place — from the volcanic pikes of the central fells to the limestone shoulders of the coast — reading the land not as a view but as a record of pressure: ice-carved valleys, collapsing slate, old lead-mining scars healed over by moor grass, and the hefted flocks of Herdwick sheep that still mark the line between pasture and fell.Each of the more than seventy poems is anchored to a named place: a fell, a tarn, a market town, a stone circle, a Roman fort, a stretch of tide-scoured coast. Together they trace Cumbria's fractured geology — Skiddaw slate, Borrowdale volcanics, sedimentary limestone — and the human lives built across the fault lines between them: the shepherd set against the slate, the tourist town against the working port. There is no postcard here, only the weather, the rock, and the long memory of the ground.Lakes To Fells In Poetry is the third volume in the British Counties In Verse series, following earlier collections on Cornwall and North Yorkshire, and its most sustained study yet of a single landscape. Written from the boots up rather than the view down, it will reward readers of place-rooted poetry, hill walkers, and anyone who has stood on a fell top in bad weather and felt the ground answer back.

Cumbria refuses to be scenery. This collection walks the county place by place — from the volcanic pikes of the central fells to the limestone shoulders of the coast — reading the land not as a view but as a record of pressure: ice-carved valleys, collapsing slate, old lead-mining scars healed over by moor grass, and the hefted flocks of Herdwick sheep that still mark the line between pasture and fell.Each of the more than seventy poems is anchored to a named place: a fell, a tarn, a market town, a stone circle, a Roman fort, a stretch of tide-scoured coast. Together they trace Cumbria's fractured geology — Skiddaw slate, Borrowdale volcanics, sedimentary limestone — and the human lives built across the fault lines between them: the shepherd set against the slate, the tourist town against the working port. There is no postcard here, only the weather, the rock, and the long memory of the ground.Lakes To Fells In Poetry is the third volume in the British Counties In Verse series, following earlier collections on Cornwall and North Yorkshire, and its most sustained study yet of a single landscape. Written from the boots up rather than the view down, it will reward readers of place-rooted poetry, hill walkers, and anyone who has stood on a fell top in bad weather and felt the ground answer back.