For many years, James Scully, along with others, quietly radicalized American poetry—in theory and in practice, in how it is lived as well as in how it is written. He was born in New Haven, CT. Professor Emeritus of the University of Connecticut, he has won numerous honors, including a Lamont Award and a Guggenheim Fellowship. He lives in San Francisco.

"James Scully's essays, like his poems, refuse to soothe or simplify, to shortchange either poetry or the imperative for social revolution. His fiercely demystifying intelligence is grounded in hope and realism for poetry in itself along with other forms of dissident engagement."—Adrienne Rich|"Scully's brilliance is mesmerizing, radicalizing, a power plant producing synapses in the 'mind politic' that may well allow Americans, finally, to write and discourse with our kind around the globe. If American poets have a role to play in preserving free speech in the 21st century, this book belongs in our every backpack."—Linda McCarriston|"Line Break is a powerful and internally consistent argument that literature, that poetry in particular, can and must fulfill its ancient duty to register and judge the conduct of human beings. Line Break extrapolates and updates Plato: a poem that does not examine life critically is not worth writing."—Robert Bagg

• Foreword by Adrienne RichPrefactory NotesRemarks on Political PoetryIn Defense of IdeologyDemagogy in the MuséeThe Dream of an Apolitical PoetryScratching SurfacesReviewPoetic Freedom and "Cuba"Line Break

For many years, James Scully, along with others, quietly radicalized American poetry—in theory and in practice, in how it is lived as well as in how it is written. He was born in New Haven, CT. Professor Emeritus of the University of Connecticut, he has won numerous honors, including a Lamont Award and a Guggenheim Fellowship. He lives in San Francisco.

"James Scully's essays, like his poems, refuse to soothe or simplify, to shortchange either poetry or the imperative for social revolution. His fiercely demystifying intelligence is grounded in hope and realism for poetry in itself along with other forms of dissident engagement."—Adrienne Rich|"Scully's brilliance is mesmerizing, radicalizing, a power plant producing synapses in the 'mind politic' that may well allow Americans, finally, to write and discourse with our kind around the globe. If American poets have a role to play in preserving free speech in the 21st century, this book belongs in our every backpack."—Linda McCarriston|"Line Break is a powerful and internally consistent argument that literature, that poetry in particular, can and must fulfill its ancient duty to register and judge the conduct of human beings. Line Break extrapolates and updates Plato: a poem that does not examine life critically is not worth writing."—Robert Bagg

• Foreword by Adrienne RichPrefactory NotesRemarks on Political PoetryIn Defense of IdeologyDemagogy in the MuséeThe Dream of an Apolitical PoetryScratching SurfacesReviewPoetic Freedom and "Cuba"Line Break

For many years, James Scully, along with others, quietly radicalized American poetry—in theory and in practice, in how it is lived as well as in how it is written. He was born in New Haven, CT. Professor Emeritus of the University of Connecticut, he has won numerous honors, including a Lamont Award and a Guggenheim Fellowship. He lives in San Francisco.

"James Scully's essays, like his poems, refuse to soothe or simplify, to shortchange either poetry or the imperative for social revolution. His fiercely demystifying intelligence is grounded in hope and realism for poetry in itself along with other forms of dissident engagement."—Adrienne Rich|"Scully's brilliance is mesmerizing, radicalizing, a power plant producing synapses in the 'mind politic' that may well allow Americans, finally, to write and discourse with our kind around the globe. If American poets have a role to play in preserving free speech in the 21st century, this book belongs in our every backpack."—Linda McCarriston|"Line Break is a powerful and internally consistent argument that literature, that poetry in particular, can and must fulfill its ancient duty to register and judge the conduct of human beings. Line Break extrapolates and updates Plato: a poem that does not examine life critically is not worth writing."—Robert Bagg

• Foreword by Adrienne RichPrefactory NotesRemarks on Political PoetryIn Defense of IdeologyDemagogy in the MuséeThe Dream of an Apolitical PoetryScratching SurfacesReviewPoetic Freedom and "Cuba"Line Break