Gay people have never been as free - or as divided - as in today's society. As the gay majority surges into the mainstream, a social construct has emerged depicting `Good Gays' and `Bad Gays'. Endless mythmaking goes into dehumanising the Bad. The characters populating 98 Wounds run roughshod in a city spiralling towards collapse. They broker urgent desires in constant pursuit of identity, obsession, rituals of hope, even the simplicity of an ordinary life. They unwaveringly root for their own understanding of belonging, contentment, pleasure and love.

Gay people have never been as free - or as divided - as in today's society. As the gay majority surges into the mainstream, a social construct has emerged depicting `Good Gays' and `Bad Gays'. Endless mythmaking goes into dehumanising the Bad. The characters populating 98 Wounds run roughshod in a city spiralling towards collapse. They broker urgent desires in constant pursuit of identity, obsession, rituals of hope, even the simplicity of an ordinary life. They unwaveringly root for their own understanding of belonging, contentment, pleasure and love.

Gay people have never been as free - or as divided - as in today's society. As the gay majority surges into the mainstream, a social construct has emerged depicting `Good Gays' and `Bad Gays'. Endless mythmaking goes into dehumanising the Bad. The characters populating 98 Wounds run roughshod in a city spiralling towards collapse. They broker urgent desires in constant pursuit of identity, obsession, rituals of hope, even the simplicity of an ordinary life. They unwaveringly root for their own understanding of belonging, contentment, pleasure and love.