Jeannine Pitas's new translation of Marosa di Giorgio, one of Uruguay's most famous poets, includes four book-length poems from the middle of her career: The History of Violets (1965); Magnolia (1968); The War of the Orchards (1971); and The Native Garden is in Flames (1975). Occupying the same childhood landscapes that may be familiar to English-language readers from the previously published volume The History of Violets (UDP, 2010), these serial prose poems explore memory, familial relationships, erotic desire, and war. Marosa di Giorgio uses the recurring setting of a garden as a stage for the ongoing encounter of nature and the supernatural.

Jeannine Pitas's new translation of Marosa di Giorgio, one of Uruguay's most famous poets, includes four book-length poems from the middle of her career: The History of Violets (1965); Magnolia (1968); The War of the Orchards (1971); and The Native Garden is in Flames (1975). Occupying the same childhood landscapes that may be familiar to English-language readers from the previously published volume The History of Violets (UDP, 2010), these serial prose poems explore memory, familial relationships, erotic desire, and war. Marosa di Giorgio uses the recurring setting of a garden as a stage for the ongoing encounter of nature and the supernatural.

Jeannine Pitas's new translation of Marosa di Giorgio, one of Uruguay's most famous poets, includes four book-length poems from the middle of her career: The History of Violets (1965); Magnolia (1968); The War of the Orchards (1971); and The Native Garden is in Flames (1975). Occupying the same childhood landscapes that may be familiar to English-language readers from the previously published volume The History of Violets (UDP, 2010), these serial prose poems explore memory, familial relationships, erotic desire, and war. Marosa di Giorgio uses the recurring setting of a garden as a stage for the ongoing encounter of nature and the supernatural.