Inventory of Benevolent Butterflies

Lance Olsen is author of more than thirty books of and about innovative writing practices, including, most recently, the novels Absolute Away (Dzanc, 2024) and Always Crashing in the Same Car: A Novel After David Bowie (FC2, 2023). His short stories, essays, and reviews have appeared in hundreds of journals and anthologies. He is a Guggenheim, Berlin Prize, D.A.A.D. Artist-in-Berlin Residency, Rockefeller Foundation Bellagio Center Residency, two-time N.E.A. Fellowship, Connecticut Artistic Excellence Grant, and a Pushcart Prize recipient, as well as a Fulbright Scholar. He taught experimental narrative theory and practice at the University of Utah in Salt Lake City.

"Like a bastard child of Wittgenstein’s Mistress and Little Big Man, An Inventory of Benevolent Butterflies offers the reader a tour de force valedictory monologue—in this case, from Henry Darger, the janitor, loner, and great American artist. In ventriloquizing this obsessive, occasionally stomach-churning, dryly comic, and strangely elegiac account, Lance Olsen brilliantly gives us the singular perspective of a lifelong outsider while reifying the artist’s methods, assembling Henry’s consciousness from secondhand language, popular culture, advertising, decontextualized history, and quasireligious fervor, tracing and retracing the wanderings of an opulent imagination confined within the most stunted of lives. A fantastic book."—Christopher Sorrentino, author of The Fugitives and Now Beacon, Now Sea "This is a pivotal book for our time, brilliantly innovative in its design, fascinating in its content, funny and ultimately deeply moving in its portrait of Henry Darger. An Inventory of Benevolent Butterflies puts on full display the satisfactions that come when a unique, ambitious work of fiction immerses readers in the complexities of life and the dynamism of memory.” —Joanna Scott, author of Follow Me, Careers for Women, and Excuse Me While I Disappear "Time slips from one past into another past, provoking us, reminding us, sometimes with an ache as deep as an ocean, sometimes with a joy that floats in the air like the petal of a yellow flower. Lance Olsen’s An Inventory of Benevolent Butterflies guides us into a dark tunnel of life and fills it with light. And wonder. The soul, as a concept, has gone out of fashion but this book imagines the word anew, as a realization, a dedication, a gift." —John Haskell, author of I Am Not Jackson Pollock and Trying to Be "Exploring imaginative landscapes of radical interiority, Olsen’s An Inventory of Benevolent Butterflies celebrates art’s transformation of trauma's invisible wounds into worlds of allegorical wonder."—Aimee Parkison, Body of Evidence and Girl Zoo "Henry Darger’s soulfully deranged narration offers comedy layered over horror, braced by a poet's sense of the music of language. He resides 'in an archeological dig composed of his own ruins', but how rich Olsen makes the digging and how wondrous the ruins."—Curtis White, author of The Middle Mind and Memories of My Father Watching TV “Lance Olsen is an ever more dazzling magician of the mind.”—Melanie Rae Thon, author of As If Fire Could Hide Us "To step inside Olsen's Dargerverse is to step inside a mapparium of the twentieth century-- genomic with harm and pleasure, rainy with war and work, as singular and mesmerically inclusive as paper money or the tinsel stars that drift from the draped interior ceiling of a lowdown side-show tent."—Joyelle McSweeney, author of Death Style "Henry Darger’s consciousness is an uncharted territory with portals to the terrifying and terrified children of his imagination. There is no better guide to this landscape than Lance Olsen’s An Inventory of Benevolent Butterflies. Olsen accesses the reclusive Darger with both sharpness and compassion, mining the artist’s memory of trauma, moving seamlessly between Darger’s last days, his life as a hospital custodian, and the hidden world of his art and prose epics, the adventures of the Vivian Girls. Darger imagined he was creating art for an audience of one. Olsen flips the switch on that inner projector and with this gorgeous narrative gives the artist’s mysterious consciousness a map and a voice."—Susan Daitch, author of Siege of Comedians and The Adjudicator