Moonbath

Yanick Lahens was born in Port-au-Prince in 1953. After attending school and university in France, she returned to Haiti., where she taught literature at the university in Port-au-Prince and worked for the Ministry of Culture. Her first novel was published in 2000, and she won the prestigious Prix Femina for Moonbath in 2014.Emily Gogolak is a journalist focusing on migration, gender, and the US-Mexico border. A former editorial staffer at The New Yorker and a James Reston Reporting Fellow at the New York Times, she now lives in Texas. A graduate of Brown University in Comparative Literature, she is also a literary translator. Her translation of Moonbath won a 2015 French Voices Award.

Winner of the Prix Femina, 2014Winner of a French Voices Award, 2015“[Lahens] describes her country with a forceful beauty — the destruction that befell it, political opportunism, families torn apart, and the spellbinding words of Haitian farmers who solely rely on subterranean powers.” — Donyapress“In the Haitian tradition of the rural novel […] Yanick Lahens’ Moonbath establishes itself by its grand and lucid beauty.” — Le Point“Lahens’s ambitious fresco of twentieth-century Haiti through the eyes of peasants depicts the first generation with Romain-like incision.” — Robert H. McCormick Jr, World Literature Today"Lahens is the most important living female Haitian author in French." — Christiane Makward“A novel of violent beauty.” — Le Monde"One of the finest voices of Haitian contemporary literature." — L’Ob’s"Everything is there, the content, powerful, and the style, poetic." — Les Echos“A remarkable accomplishment.” —Asymptote“Yanick Lahens adeptly dipped her pen nib in tears to write Moonbath. She brandished her writing instrument with dexterity, creating Cétoute as a metaphor symbolizing both the pain and the promise of Haiti.” —Lanie Tankard, The Woven Tale Press“The novel’s mythic atmosphere is enhanced by Lahens’ meditations on personified nature, and Emily Gogolak’s translation preserves a bare and moving voice throughout.” —The Arkansas International“Power and corruption are ever present, and their pressures—be they sexual or economic or both—are often impossible to reckon with or escape. Though what’s most surprising is the sense that one has waded fully into the world these characters inhabit, a world so alive that I sometimes forgot I was reading a book at all. I’m reminded of first reading Gabriel García Márquez’s One Hundred Years of Solitude, a book that similarly transported me clean out of my self and into some other world beyond.” —Christian Kiefer, The Paris Review“An invigorating and necessary investigation of tradition, politics, loss, and history.” —Zeena Yasmine Fuleihan, Ploughshares“On every reread of this multigenerational Haitian novel I find more complexity and beauty in its pages.” —Cecilia Weddell, Associate Editor of Harvard Review Online