When he gives readings in Kurdistan, Abdulla Pashew draws audiences in the thousands. In addition to his eight volumes of poetry, Pashew is a prolific translator, fluent in Russian and English, responsible for bringing Whitman and Pushkin to Kurdish readership. He holds a master's degree in pedagogy and a doctorate in philology. Dictionary of Midnight is the first book-length selection of his poetry to appear in English.Alana Marie Levinson-LaBrosse is a poet, translator, and co-director of Kashkul, a research, translation, and arts collaborative. She has lived and worked in Iraq since 2011, during which time she has dedicated herself to bringing Kurdish poets to English-speaking audiences, including Kajal Ahmad's Handful of Salt. Her poems, translations, and essays have appeared in The Iowa Review, Modern Poetry in Translation, The Sewanee Review, and World Literature Today, among others.

"Dictionary of Midnight shows the lasting haunt of exile, but also the evocative powers of writing as testament to personal strife and a people’s lifelong yearning for home.” — Asymptote Journal

When he gives readings in Kurdistan, Abdulla Pashew draws audiences in the thousands. In addition to his eight volumes of poetry, Pashew is a prolific translator, fluent in Russian and English, responsible for bringing Whitman and Pushkin to Kurdish readership. He holds a master's degree in pedagogy and a doctorate in philology. Dictionary of Midnight is the first book-length selection of his poetry to appear in English.Alana Marie Levinson-LaBrosse is a poet, translator, and co-director of Kashkul, a research, translation, and arts collaborative. She has lived and worked in Iraq since 2011, during which time she has dedicated herself to bringing Kurdish poets to English-speaking audiences, including Kajal Ahmad's Handful of Salt. Her poems, translations, and essays have appeared in The Iowa Review, Modern Poetry in Translation, The Sewanee Review, and World Literature Today, among others.

"Dictionary of Midnight shows the lasting haunt of exile, but also the evocative powers of writing as testament to personal strife and a people’s lifelong yearning for home.” — Asymptote Journal