Laynie Browne is a poet, prose writer, teacher and editor. She is author of fourteen collections of poems and four books of fiction. Recent publications include: a book of poems, In Garments Worn by Lindens, a novel, Periodic Companions, and a book of short fiction, The Book of Moments. Her work has appeared in journals such as Conjunctions, A Public Space, New American Writing, The Brooklyn Rail, and in anthologies including: The Ecopoetry Anthology (Trinity University Press), The Reality Street Book of Sonnets (Reality Street, UK), and Postmodern American Poetry: A Norton Anthology (W.W. Norton). Her poetry has been translated into French, Spanish, Chinese and Catalan. She co-edited the anthology I’ll Drown My Book: Conceptual Writing by Women (Les Figues Press, 2013) and edited the anthology A Forest on Many Stems: Essays on The Poet’s Novel (Nightboat, 2020). Honors and awards include a Pew Fellowship, the National Poetry Series Award for her collection The Scented Fox, and the Contemporary Poetry Series Award for her collection Drawing of a Swan Before Memory. She teaches at University of Pennsylvania and at Swarthmore College.

It's everybody's biography, always "not yet begun," as well as the list of directions, questions, and observations for provoking an investigation into the interior of a life keenly attentive to the resonance of other lives. The reader recognizes herself as the I, the you, the character in a novel, someone missing, someone alive again—illuminated, self-conscious, caught in the act. Like C.D. Wright, whose work inspires the title, Laynie Browne is hilarious at a slant, provocative, and touching. Her language, which makes everything happen, has an incomparably swervy brilliance.—Forrest Gander

Laynie Browne is a poet, prose writer, teacher and editor. She is author of fourteen collections of poems and four books of fiction. Recent publications include: a book of poems, In Garments Worn by Lindens, a novel, Periodic Companions, and a book of short fiction, The Book of Moments. Her work has appeared in journals such as Conjunctions, A Public Space, New American Writing, The Brooklyn Rail, and in anthologies including: The Ecopoetry Anthology (Trinity University Press), The Reality Street Book of Sonnets (Reality Street, UK), and Postmodern American Poetry: A Norton Anthology (W.W. Norton). Her poetry has been translated into French, Spanish, Chinese and Catalan. She co-edited the anthology I’ll Drown My Book: Conceptual Writing by Women (Les Figues Press, 2013) and edited the anthology A Forest on Many Stems: Essays on The Poet’s Novel (Nightboat, 2020). Honors and awards include a Pew Fellowship, the National Poetry Series Award for her collection The Scented Fox, and the Contemporary Poetry Series Award for her collection Drawing of a Swan Before Memory. She teaches at University of Pennsylvania and at Swarthmore College.

It's everybody's biography, always "not yet begun," as well as the list of directions, questions, and observations for provoking an investigation into the interior of a life keenly attentive to the resonance of other lives. The reader recognizes herself as the I, the you, the character in a novel, someone missing, someone alive again—illuminated, self-conscious, caught in the act. Like C.D. Wright, whose work inspires the title, Laynie Browne is hilarious at a slant, provocative, and touching. Her language, which makes everything happen, has an incomparably swervy brilliance.—Forrest Gander