Lost in Peach Blossom Paradise

Xiong Liang is an artist, illustrator, and author from Zhejiang Province, China. His writing includes novels, essays, plays, poems, and children’s books as well as a collection of Chinese folk tales. Several of his works have been adapted for animation. Xiong’s work has been featured at the Osaka International Children’s Literature Museum, the British Museum, and more. In 2017, he won the Chen Bochui Children’s Literature Award for Take a Walk with the Wind and in 2018 he was shortlisted for the Hans Christian Andersen Award.Chloe Garcia Roberts is a poet and translator from Spanish and Chinese. Her translations include poems by Li Shangyin as well as children’s books including Feather by Cao Wenxuan and Roger Mello (Elsewhere Editions, 2017) which was named a USBBY Outstanding International Book for 2019.

"A lovely odyssey into the natural world . . . Despite dire warnings to stay away, the innocent child finds her way to the paradise of natural beauty and beneficent beings. Delicate artwork with elegant vistas that almost veer into the abstract, accompanies every page of this short-novel-length book, with several gatefolds that magnify the pristine beauty and mystical nature of deep forests in China. Little Yu is not chasing a dream or fulfilling a prophecy—she just wants to experience and enjoy her journey." —Stephanie Tournas, Youth Services Book Review"Lost in Peach Blossom Paradise unfolds in dreamlike fashion, as graceful as flowing water. Liang’s folkloric prose, translated from Chinese by Chloe Garcia Roberts, is perfect for any reader who loves to savor language: An ancient dog who is petted for the first time in centuries falls asleep 'as deeply and deliciously as a sweet potato nestled in autumn soil'; an illusionist runs down a tunnel full of 'fireflies and slugs that emitted faint glimmers, like whispered secrets.' The dramatic composition of Liang’s accompanying watercolor illustrations—which are masterly as independent works of art—emphasize this book’s marvelous and surreal sense of escapism. With the sublime beauty and poetic rhythm of Hayao Miyazaki’s Spirited Away, Lost in Peach Blossom Paradise is the kind of classic that truly endures on one’s shelf, to be read again and again. It’s hard to turn the final page and leave such a gorgeous book—luckily, there are several future installments in store." —Yi Jiang, BookPage"Liang’s ink wash illustrations imbue a shadowy, unknown world with a sense of moody wonder . . . Reminiscent of Alice in Wonderland, [Lost in Peach Blossom Paradise is] enchanting." —Nick Mullenmeister, Booklist"Traditional ink-wash technique is given a contemporary tilt that feels both ancient and immediate. Haunting and immersive, this first installment reveals a hidden paradise that readers, both children and adults, won’t be eager to leave . . . A promising new fantasy classic in the making." —Kirkus, starred review"A forbidden trek to a secret village takes a young wanderer on the adventure of a lifetime in this whimsical novel from Liang . . . Ink-wash drawings emphasize vivid, imagery-rich prose depicting the vast expanse of the forest and the impish nature of its memorable inhabitants. It’s a propulsive fantasy series starter that presents Chinese culture and mythology in a gorgeously rendered package." — Publishers Weekly, starred review "The first book in the Little Yu & the Treelings series . . . starts with a classic Chinese myth. We meet a forbidden forest, and then we fast forward to the present day . . . Told in roughly 90 pages altogether, each trial references specifics of Chinese folklore and philosophical beliefs . . .This is the first of six books in this series, so be on the lookout for more soon!" — Betsy Bird, School Library Journal's Fuse 8 Blog“Xiong's works have a uniquely natural beauty to them, a pure and harmonious beauty.” —Sanchuan Ling“Considering the scarcity of illustrated books in the Chinese children's literature market at the beginning of the 21st Century, it's fair to call his output 'prodigious' (indeed, it is unmatched inside China). Even more remarkable is the variety of styles he has boldly taken on from the very beginning, from works of ink wash painting and cut paper dripping with Asian tradition, to modern art bursting with color and individuality. His topics are similarly diverse, ranging from traditional Chinese folk art, nursery rhymes, legends, and Buddhist stories to children's works of pure fantasy. Some of his stories even draw on the everyday lives of today's children (especially those from rural areas). No matter his choice of medium, style, or subject, Xiong’s drive for artistic perfection has gradually brought into being a flawless, one-of-a-kind fusion of traditional and modern art.” —A Jia, Red Clay Reading"Little Yu and the Treelings is the type of book that adults get nostalgic over, and children stay up to read. Set in a fantastical, luscious world, it's an adventure that only Xiong Liang's storytelling and intoxicating ink painting can tell. Around every corner is a surprise, and we can't help but follow Little Yu as she approaches each with the utmost courage, curiousity and empathy. Little Yu and the Treelings is a book that demonstrates Xiong Liang's love of Chinese classical culture, nature, humanity and most of all, wonder." — Ruth Chan"Xiong Liang has created a hauntingly beautiful journey, richly layered with characters, and myth. Children and adults alike will find themselves not wanting to leave this mystical hidden paradise." — Gracey Zhang