Ryan R. Weber is Assistant Professor of Musicology at Misericordia University, USA, where he also serves on the faculty of the Medical and Health Humanities Program.  His research has appeared in the journals Ars Lyrica, Musicology Australia, Journal of Musicological Research, Nineteenth-Century Music Review, and others.

• 1. Introduction: Traversing Time, Place, and Space.- 2. Local Debates, International Partnerships: Garborg, Benzon, and Grieg’s Idea of Cosmopolitanism.- 3. From Songs to Psalms: Grieg’s Cosmopolitan Aesthetic.- 4. Cosmopolitan Practices: Grieg, Grainger, and the Search for a Musical Analogue.- 5. Cosmopolitan Ideas: Grieg, MacDowell, and a Tale of Weary Men.- 6. In Search of Hybridity: MacDowell, Grainger, and the End of Anachronisms.- 7. The Grainger Paradox: Manufacturing Hybridity, Circulating Exclusivity.- 8. Conclusion.

Ryan R. Weber is Assistant Professor of Musicology at Misericordia University, USA, where he also serves on the faculty of the Medical and Health Humanities Program.  His research has appeared in the journals Ars Lyrica, Musicology Australia, Journal of Musicological Research, Nineteenth-Century Music Review, and others.

• 1. Introduction: Traversing Time, Place, and Space.- 2. Local Debates, International Partnerships: Garborg, Benzon, and Grieg’s Idea of Cosmopolitanism.- 3. From Songs to Psalms: Grieg’s Cosmopolitan Aesthetic.- 4. Cosmopolitan Practices: Grieg, Grainger, and the Search for a Musical Analogue.- 5. Cosmopolitan Ideas: Grieg, MacDowell, and a Tale of Weary Men.- 6. In Search of Hybridity: MacDowell, Grainger, and the End of Anachronisms.- 7. The Grainger Paradox: Manufacturing Hybridity, Circulating Exclusivity.- 8. Conclusion.

Ryan R. Weber is Assistant Professor of Musicology at Misericordia University, USA, where he also serves on the faculty of the Medical and Health Humanities Program.  His research has appeared in the journals Ars Lyrica, Musicology Australia, Journal of Musicological Research, Nineteenth-Century Music Review, and others.

• 1. Introduction: Traversing Time, Place, and Space.- 2. Local Debates, International Partnerships: Garborg, Benzon, and Grieg’s Idea of Cosmopolitanism.- 3. From Songs to Psalms: Grieg’s Cosmopolitan Aesthetic.- 4. Cosmopolitan Practices: Grieg, Grainger, and the Search for a Musical Analogue.- 5. Cosmopolitan Ideas: Grieg, MacDowell, and a Tale of Weary Men.- 6. In Search of Hybridity: MacDowell, Grainger, and the End of Anachronisms.- 7. The Grainger Paradox: Manufacturing Hybridity, Circulating Exclusivity.- 8. Conclusion.