Julius Greve is Lecturer and Research Associate at the Institute for English and American Studies, University of Oldenburg, Germany, and the author of Shreds of Matter: Cormac McCarthy and the Concept of Nature (2018).Florian Zappe is Assistant Professor of American Studies at the Georg-August-University Göttingen, Germany. He has published monographs on William S. Burroughs and Kathy Acker and a variety of essays on (post)modern literature, cinema, and theory.

• 1. Introduction: Ecologies and Geographies of the Weird and the Fantastic, Julius Greve and Florian Zappe.- 2. Naturhorror and the Weird, Eugene Thacker.- 3. Uncanny New Worlds in Harriet Prescott Spofford’s “D’Outre Mort” and “The Black Bess”, Michaela Keck.- 4. The Weird and the Wild: Media Ecologies of the Outré-Normative, Julius Greve.- 5. Queering the Weird: Unnatural Participations and the Mucosal in H. P. Lovecraft and Occulture, Patricia MacCormack.- 6. Geological Insurrections: Politics of Planetary Weirding from China Miéville to N. K. Jemisin, Moritz Ingwersen.- 7. “Indifference would be such a relief”: Race and Weird Geography in Victor LaValle and Matt Ruff’s Dialogues with H. P. Lovecraft,James Kneale.- 8. The Oceanic Weird, Wet Ontologies, and Hydro-Criticism in China Miéville’s The Scar, Jolene Mathieson.- 9. “Through the eyes of Area X”: (Dis)locating Ecological Hope via New Weird Spatiality, Gry Ulstein.- 10. Inexistent Ink: Michael Cisco and Quentin Meillassoux on Writing Worlds, Ben Woodard.- 11. Notes on the Alluring Weirdness of (Materialist) Rumination and Regurgitation: Reading Ariana Reines and Jamie Stewart, Marius Henderson.- 12. Spaces of Communal Misery: The Weird Post-Capitalism of Beasts of the Southern Wild, Marlon Lieber.

Julius Greve is Lecturer and Research Associate at the Institute for English and American Studies, University of Oldenburg, Germany, and the author of Shreds of Matter: Cormac McCarthy and the Concept of Nature (2018).Florian Zappe is Assistant Professor of American Studies at the Georg-August-University Göttingen, Germany. He has published monographs on William S. Burroughs and Kathy Acker and a variety of essays on (post)modern literature, cinema, and theory.

• 1. Introduction: Ecologies and Geographies of the Weird and the Fantastic, Julius Greve and Florian Zappe.- 2. Naturhorror and the Weird, Eugene Thacker.- 3. Uncanny New Worlds in Harriet Prescott Spofford’s “D’Outre Mort” and “The Black Bess”, Michaela Keck.- 4. The Weird and the Wild: Media Ecologies of the Outré-Normative, Julius Greve.- 5. Queering the Weird: Unnatural Participations and the Mucosal in H. P. Lovecraft and Occulture, Patricia MacCormack.- 6. Geological Insurrections: Politics of Planetary Weirding from China Miéville to N. K. Jemisin, Moritz Ingwersen.- 7. “Indifference would be such a relief”: Race and Weird Geography in Victor LaValle and Matt Ruff’s Dialogues with H. P. Lovecraft,James Kneale.- 8. The Oceanic Weird, Wet Ontologies, and Hydro-Criticism in China Miéville’s The Scar, Jolene Mathieson.- 9. “Through the eyes of Area X”: (Dis)locating Ecological Hope via New Weird Spatiality, Gry Ulstein.- 10. Inexistent Ink: Michael Cisco and Quentin Meillassoux on Writing Worlds, Ben Woodard.- 11. Notes on the Alluring Weirdness of (Materialist) Rumination and Regurgitation: Reading Ariana Reines and Jamie Stewart, Marius Henderson.- 12. Spaces of Communal Misery: The Weird Post-Capitalism of Beasts of the Southern Wild, Marlon Lieber.

Julius Greve is Lecturer and Research Associate at the Institute for English and American Studies, University of Oldenburg, Germany, and the author of Shreds of Matter: Cormac McCarthy and the Concept of Nature (2018).Florian Zappe is Assistant Professor of American Studies at the Georg-August-University Göttingen, Germany. He has published monographs on William S. Burroughs and Kathy Acker and a variety of essays on (post)modern literature, cinema, and theory.

• 1. Introduction: Ecologies and Geographies of the Weird and the Fantastic, Julius Greve and Florian Zappe.- 2. Naturhorror and the Weird, Eugene Thacker.- 3. Uncanny New Worlds in Harriet Prescott Spofford’s “D’Outre Mort” and “The Black Bess”, Michaela Keck.- 4. The Weird and the Wild: Media Ecologies of the Outré-Normative, Julius Greve.- 5. Queering the Weird: Unnatural Participations and the Mucosal in H. P. Lovecraft and Occulture, Patricia MacCormack.- 6. Geological Insurrections: Politics of Planetary Weirding from China Miéville to N. K. Jemisin, Moritz Ingwersen.- 7. “Indifference would be such a relief”: Race and Weird Geography in Victor LaValle and Matt Ruff’s Dialogues with H. P. Lovecraft,James Kneale.- 8. The Oceanic Weird, Wet Ontologies, and Hydro-Criticism in China Miéville’s The Scar, Jolene Mathieson.- 9. “Through the eyes of Area X”: (Dis)locating Ecological Hope via New Weird Spatiality, Gry Ulstein.- 10. Inexistent Ink: Michael Cisco and Quentin Meillassoux on Writing Worlds, Ben Woodard.- 11. Notes on the Alluring Weirdness of (Materialist) Rumination and Regurgitation: Reading Ariana Reines and Jamie Stewart, Marius Henderson.- 12. Spaces of Communal Misery: The Weird Post-Capitalism of Beasts of the Southern Wild, Marlon Lieber.