Cat Mahoney is a Research and Impact Administrator at the University of Liverpool, UK. She has published on the representation of female participation in the Second World War in Frames Cinema Journal as well as the edited collection The Past in Visual Culture: Essays on Memory, Nostalgia and the Media of which she is co-editor.

“Mahoney’s Women in Neoliberal Postfeminist Television Drama continues a fascinating vein of current feminist television scholarship … . Mahoney clearly maintains that the primary goal of her research is the demonstration of a postfeminist sensibility … . The tightness of the book’s focus is one of its most enduring strengths. … Mahoney’s work stands as a good model for those who wish to consider the intersections of history, ideology and feminist politics through the richness of the televisual text.” (Daniel Martin, Critical Studies in Television, Vol. 16 (2), 2021)

• Introduction: Postfeminism, Neo-Liberalism and the Popular Imaginary of the Second World War.- Chapter 1: Land Girls – Finding a Feminine Space (Female Ensemble Drama).- Chapter 2: The Bletchley Circle – The Horror of Transgression.- Chapter 3: Marvel’s Agent Carter – [Peggy punches him in the face].- Chapter 4: Home Fires – Deconstructing the Domestic Ideal.- Chapter 5: Conclusions

Cat Mahoney is a Research and Impact Administrator at the University of Liverpool, UK. She has published on the representation of female participation in the Second World War in Frames Cinema Journal as well as the edited collection The Past in Visual Culture: Essays on Memory, Nostalgia and the Media of which she is co-editor.

“Mahoney’s Women in Neoliberal Postfeminist Television Drama continues a fascinating vein of current feminist television scholarship … . Mahoney clearly maintains that the primary goal of her research is the demonstration of a postfeminist sensibility … . The tightness of the book’s focus is one of its most enduring strengths. … Mahoney’s work stands as a good model for those who wish to consider the intersections of history, ideology and feminist politics through the richness of the televisual text.” (Daniel Martin, Critical Studies in Television, Vol. 16 (2), 2021)

• Introduction: Postfeminism, Neo-Liberalism and the Popular Imaginary of the Second World War.- Chapter 1: Land Girls – Finding a Feminine Space (Female Ensemble Drama).- Chapter 2: The Bletchley Circle – The Horror of Transgression.- Chapter 3: Marvel’s Agent Carter – [Peggy punches him in the face].- Chapter 4: Home Fires – Deconstructing the Domestic Ideal.- Chapter 5: Conclusions

Cat Mahoney is a Research and Impact Administrator at the University of Liverpool, UK. She has published on the representation of female participation in the Second World War in Frames Cinema Journal as well as the edited collection The Past in Visual Culture: Essays on Memory, Nostalgia and the Media of which she is co-editor.

“Mahoney’s Women in Neoliberal Postfeminist Television Drama continues a fascinating vein of current feminist television scholarship … . Mahoney clearly maintains that the primary goal of her research is the demonstration of a postfeminist sensibility … . The tightness of the book’s focus is one of its most enduring strengths. … Mahoney’s work stands as a good model for those who wish to consider the intersections of history, ideology and feminist politics through the richness of the televisual text.” (Daniel Martin, Critical Studies in Television, Vol. 16 (2), 2021)

• Introduction: Postfeminism, Neo-Liberalism and the Popular Imaginary of the Second World War.- Chapter 1: Land Girls – Finding a Feminine Space (Female Ensemble Drama).- Chapter 2: The Bletchley Circle – The Horror of Transgression.- Chapter 3: Marvel’s Agent Carter – [Peggy punches him in the face].- Chapter 4: Home Fires – Deconstructing the Domestic Ideal.- Chapter 5: Conclusions