David Clare is Lecturer in Drama and Theatre Studies at Mary Immaculate College, University of Limerick, Ireland. He previously held two IRC-funded postdoctoral fellowships at NUI Galway, Ireland. His books include the monograph Bernard Shaw’s Irish Outlook (2016) and the edited collection The Gate Theatre, Dublin: Inspiration and Craft (2018).

“The compact nature of this work is suitable for scholars and readers who already have a basis in Irish studies … . it is Clare’s research and cogent writing style that shine through, further solidifying this work as an important contribution to the ongoing scholarship concerning the necessary inclusion of Anglo-Irish writers in the canon, largely thanks to the ‘strength of the Irish identities of these same writers’ … .” (Aileen R. Ruane, SHAW The Journal of Bernard Shaw Studies, Vol. 42 (1), 2022)“David Clare’s book on the Irish Anglican tradition in writing and theatre history is a concise, accessible, and effectively argued work … . this excellent and concise study equips us with an insightful account of the historical and cultural ambiguities that imbue our present.” (Mike Griffin, Estudios Irlandeses, Vol. 17, 2022)

• 1. ​Introduction.- 2. Elizabeth Griffith: Celebrating and Extending the Irish Anglican Dramatic Tradition.- 3. The Portraits of the English in the Work of Dion Boucicault, Bram Stoker, and Erskine Childers.- 4. Charlotte Brooke’s Impact on Ascendancy Women Writers from Maria Edgeworth to Lady Gregory.- 5. C.S. Lewis and the Irish Literary Canon.- 6. Gradations of Class Among Irish Anglicans in Leland Bardwell’s Girl on a Bicycle.

David Clare is Lecturer in Drama and Theatre Studies at Mary Immaculate College, University of Limerick, Ireland. He previously held two IRC-funded postdoctoral fellowships at NUI Galway, Ireland. His books include the monograph Bernard Shaw’s Irish Outlook (2016) and the edited collection The Gate Theatre, Dublin: Inspiration and Craft (2018).

“The compact nature of this work is suitable for scholars and readers who already have a basis in Irish studies … . it is Clare’s research and cogent writing style that shine through, further solidifying this work as an important contribution to the ongoing scholarship concerning the necessary inclusion of Anglo-Irish writers in the canon, largely thanks to the ‘strength of the Irish identities of these same writers’ … .” (Aileen R. Ruane, SHAW The Journal of Bernard Shaw Studies, Vol. 42 (1), 2022)“David Clare’s book on the Irish Anglican tradition in writing and theatre history is a concise, accessible, and effectively argued work … . this excellent and concise study equips us with an insightful account of the historical and cultural ambiguities that imbue our present.” (Mike Griffin, Estudios Irlandeses, Vol. 17, 2022)

• 1. ​Introduction.- 2. Elizabeth Griffith: Celebrating and Extending the Irish Anglican Dramatic Tradition.- 3. The Portraits of the English in the Work of Dion Boucicault, Bram Stoker, and Erskine Childers.- 4. Charlotte Brooke’s Impact on Ascendancy Women Writers from Maria Edgeworth to Lady Gregory.- 5. C.S. Lewis and the Irish Literary Canon.- 6. Gradations of Class Among Irish Anglicans in Leland Bardwell’s Girl on a Bicycle.