Tiziana Morosetti is based at the African Studies Centre at the University of Oxford. She studied in Rome and Bologna before moving to Oxford on a Marie Curie Research Fellowship with a project on the representation of the «exotic» body in nineteenth-century British drama. Her publications have appeared in Research in African Literatures, West Africa Review, West African Theatre and Performing Arts Journal and the Oxford Dictionary of African Biography. She is deputy director of the journal Quaderni del ’900, for which she edited numbers IV (Postcolonial Literature in Italian, 2005) and VII (Italy in Anglophone Literatures, 2008). Since 2014 she has been membership secretary of the African Theatre Association (AfTA).

• Contents: Toni Wein: «By a Nose» or «By a Hair»: Bearding the Jew on the Georgian Stage – Michael Bradshaw: The Jew on Stage and on the Page: Intertextual Exotic – Arthur W. Bloom: Edwin Forrest: The Exotic American Body on the Nineteenth-Century English Stage – Tiziana Morosetti: Constructing the Zulus: The «African» Body and Its Narratives – Marianne Schultz: «An Interest Must Be Strong Now-a days to Raise Much Enthusiasm in an Audience, but It May Be, at the Same Time, of an Unpleasant Nature»: Māori, New Zealand and Empire on Stage 1862-1864 – Peter Yeandle: Performing the Other on the Popular London Stage: Exotic People and Places in Victorian Pantomime – Sara Malton: Impressment, Exoticism and Enslavement: Revisiting the Theatre of War through Thomas Hardy’s The Trumpet-Major (1880) – Zara Barlas: Transcultural Operatics: India on the British Stage in The Nautch Girl, or, The Rajah of Chutneypore – Serena Guarracino: Singing the Exotic Body across the Atlantic: From The Mikado to the Swing Mikado and Beyond – Sophie Duncan: A Progressive Othello: Modern Blackness in Chakrabarti’s Red Velvet (2012).

Tiziana Morosetti is based at the African Studies Centre at the University of Oxford. She studied in Rome and Bologna before moving to Oxford on a Marie Curie Research Fellowship with a project on the representation of the «exotic» body in nineteenth-century British drama. Her publications have appeared in Research in African Literatures, West Africa Review, West African Theatre and Performing Arts Journal and the Oxford Dictionary of African Biography. She is deputy director of the journal Quaderni del ’900, for which she edited numbers IV (Postcolonial Literature in Italian, 2005) and VII (Italy in Anglophone Literatures, 2008). Since 2014 she has been membership secretary of the African Theatre Association (AfTA).

• Contents: Toni Wein: «By a Nose» or «By a Hair»: Bearding the Jew on the Georgian Stage – Michael Bradshaw: The Jew on Stage and on the Page: Intertextual Exotic – Arthur W. Bloom: Edwin Forrest: The Exotic American Body on the Nineteenth-Century English Stage – Tiziana Morosetti: Constructing the Zulus: The «African» Body and Its Narratives – Marianne Schultz: «An Interest Must Be Strong Now-a days to Raise Much Enthusiasm in an Audience, but It May Be, at the Same Time, of an Unpleasant Nature»: Māori, New Zealand and Empire on Stage 1862-1864 – Peter Yeandle: Performing the Other on the Popular London Stage: Exotic People and Places in Victorian Pantomime – Sara Malton: Impressment, Exoticism and Enslavement: Revisiting the Theatre of War through Thomas Hardy’s The Trumpet-Major (1880) – Zara Barlas: Transcultural Operatics: India on the British Stage in The Nautch Girl, or, The Rajah of Chutneypore – Serena Guarracino: Singing the Exotic Body across the Atlantic: From The Mikado to the Swing Mikado and Beyond – Sophie Duncan: A Progressive Othello: Modern Blackness in Chakrabarti’s Red Velvet (2012).

Tiziana Morosetti is based at the African Studies Centre at the University of Oxford. She studied in Rome and Bologna before moving to Oxford on a Marie Curie Research Fellowship with a project on the representation of the «exotic» body in nineteenth-century British drama. Her publications have appeared in Research in African Literatures, West Africa Review, West African Theatre and Performing Arts Journal and the Oxford Dictionary of African Biography. She is deputy director of the journal Quaderni del ’900, for which she edited numbers IV (Postcolonial Literature in Italian, 2005) and VII (Italy in Anglophone Literatures, 2008). Since 2014 she has been membership secretary of the African Theatre Association (AfTA).

• Contents: Toni Wein: «By a Nose» or «By a Hair»: Bearding the Jew on the Georgian Stage – Michael Bradshaw: The Jew on Stage and on the Page: Intertextual Exotic – Arthur W. Bloom: Edwin Forrest: The Exotic American Body on the Nineteenth-Century English Stage – Tiziana Morosetti: Constructing the Zulus: The «African» Body and Its Narratives – Marianne Schultz: «An Interest Must Be Strong Now-a days to Raise Much Enthusiasm in an Audience, but It May Be, at the Same Time, of an Unpleasant Nature»: Māori, New Zealand and Empire on Stage 1862-1864 – Peter Yeandle: Performing the Other on the Popular London Stage: Exotic People and Places in Victorian Pantomime – Sara Malton: Impressment, Exoticism and Enslavement: Revisiting the Theatre of War through Thomas Hardy’s The Trumpet-Major (1880) – Zara Barlas: Transcultural Operatics: India on the British Stage in The Nautch Girl, or, The Rajah of Chutneypore – Serena Guarracino: Singing the Exotic Body across the Atlantic: From The Mikado to the Swing Mikado and Beyond – Sophie Duncan: A Progressive Othello: Modern Blackness in Chakrabarti’s Red Velvet (2012).