The Editor: Louise Hardwick is a Postdoctoral Fellow at Homerton College, Cambridge, and a graduate of Trinity College, Oxford, where she gained her doctorate analysing the récit d’enfance in Francophone Caribbean literature. Her publications include articles in French and English on Maryse Condé, Raphaël Confiant and Joseph Zobel.

• Contents: Louise Hardwick: Introduction – Lisa Downing: Criminality, Sexuality, Abnormality: Nineteenth-Century Scientific Constructions – Emma Bielecki: Faking it: Representations of Art Forgery from the Second Empire to the Belle Epoque – Aurélie L’Hostis: Unchaining Memory in the French Caribbean – Lorna Milne: Who Done What? Marie Nimier’s Text Crimes – James Hanrahan: Literary Crime and Innovation against Punishment: Voltaire and the Censorship Authorities before 1750 – Jennifer Jahn: Colonial Crimes: Female Perspectives of the Colonial Legacy – Claire Gorrara: Dramatic and Traumatic: French Crime Fiction and the Reconstruction of France – Simon Kemp: ‘Le Roman Policier Par Excellence’: Narrative Perspective in Sébastien Japrisot and the Norms of the Crime Novel – Véronique Desnain: ‘L’histoire du crime’: The Crime Novels of Dominique Manotti – Fernando Stefanich: Crime and the Figuration narrative Movement: The Case of Jacques Monory – Deborah S. Reisinger: Writing Memory: Point Kilométrique 190 and the Grimzi Affair – Chong J. Wojtkowski: Bad Boys/Petits Frères: The Representation of Delinquency in Fais-moi des vacances.

The Editor: Louise Hardwick is a Postdoctoral Fellow at Homerton College, Cambridge, and a graduate of Trinity College, Oxford, where she gained her doctorate analysing the récit d’enfance in Francophone Caribbean literature. Her publications include articles in French and English on Maryse Condé, Raphaël Confiant and Joseph Zobel.

• Contents: Louise Hardwick: Introduction – Lisa Downing: Criminality, Sexuality, Abnormality: Nineteenth-Century Scientific Constructions – Emma Bielecki: Faking it: Representations of Art Forgery from the Second Empire to the Belle Epoque – Aurélie L’Hostis: Unchaining Memory in the French Caribbean – Lorna Milne: Who Done What? Marie Nimier’s Text Crimes – James Hanrahan: Literary Crime and Innovation against Punishment: Voltaire and the Censorship Authorities before 1750 – Jennifer Jahn: Colonial Crimes: Female Perspectives of the Colonial Legacy – Claire Gorrara: Dramatic and Traumatic: French Crime Fiction and the Reconstruction of France – Simon Kemp: ‘Le Roman Policier Par Excellence’: Narrative Perspective in Sébastien Japrisot and the Norms of the Crime Novel – Véronique Desnain: ‘L’histoire du crime’: The Crime Novels of Dominique Manotti – Fernando Stefanich: Crime and the Figuration narrative Movement: The Case of Jacques Monory – Deborah S. Reisinger: Writing Memory: Point Kilométrique 190 and the Grimzi Affair – Chong J. Wojtkowski: Bad Boys/Petits Frères: The Representation of Delinquency in Fais-moi des vacances.

The Editor: Louise Hardwick is a Postdoctoral Fellow at Homerton College, Cambridge, and a graduate of Trinity College, Oxford, where she gained her doctorate analysing the récit d’enfance in Francophone Caribbean literature. Her publications include articles in French and English on Maryse Condé, Raphaël Confiant and Joseph Zobel.

• Contents: Louise Hardwick: Introduction – Lisa Downing: Criminality, Sexuality, Abnormality: Nineteenth-Century Scientific Constructions – Emma Bielecki: Faking it: Representations of Art Forgery from the Second Empire to the Belle Epoque – Aurélie L’Hostis: Unchaining Memory in the French Caribbean – Lorna Milne: Who Done What? Marie Nimier’s Text Crimes – James Hanrahan: Literary Crime and Innovation against Punishment: Voltaire and the Censorship Authorities before 1750 – Jennifer Jahn: Colonial Crimes: Female Perspectives of the Colonial Legacy – Claire Gorrara: Dramatic and Traumatic: French Crime Fiction and the Reconstruction of France – Simon Kemp: ‘Le Roman Policier Par Excellence’: Narrative Perspective in Sébastien Japrisot and the Norms of the Crime Novel – Véronique Desnain: ‘L’histoire du crime’: The Crime Novels of Dominique Manotti – Fernando Stefanich: Crime and the Figuration narrative Movement: The Case of Jacques Monory – Deborah S. Reisinger: Writing Memory: Point Kilométrique 190 and the Grimzi Affair – Chong J. Wojtkowski: Bad Boys/Petits Frères: The Representation of Delinquency in Fais-moi des vacances.